January 22, 2016 |
Susan Lubowsky Talbott, who retired in December after eight years as head of the venerable Wadsworth Atheneum in Hartford, Conn., has agreed to take the reins of Philadelphia's Fabric Workshop and Museum for at least the next year. She will guide the contemporary art institution during "our current transition," said president Katherine Sokolnikoff, and facilitate two large projects in the spring and fall. The Fabric Workshop (FWM) was stunned in August by the death of its founder and director, Marion "Kippy" Boulton Stroud, 76, who took her own life.
January 18, 2016
Cellphone wallet cases let you carry some credit cards or IDs in integrated slots, while, ideally, providing impact protection for the phone. But what if you love those super-tough cases you've come to trust - few of which include storage space? Just stick on a Sinjimoru Sinji Pouch, and you're good to go. Slightly larger than a credit card, the kangarooesque pouch is made of a bounce-back elastic fabric attached to a hard sueded backing that sticks to the back of your phone case (or the phone itself)
November 21, 2015 |
The name of a Fabric Row mainstay, faded on its storefront window, is hidden behind a red banner that blares: "Retirement Sale Everything 1/2 Off. " Marmelstein's, in business since 1919, started with an immigrant's door-to-door needle-and-thread sales from his knapsack. After 96 years, its last day is Saturday. Shoppers now roam South Fourth Street for the designer boutique, the hair salon, the bike shop, and the artisan studio that have reshaped a neighborhood once defined by textiles.
November 9, 2015 |
Philadelphia's venerable Print Center is celebrating its centennial anniversary through December with exhibitions, events, programs, and projects on its own premises and elsewhere (it has partnered with more than 40 organizations in Philadelphia and beyond), all of which are listed on its website and in a guidebook available at the Print Center. The best place to start is the Print Center itself. On the first floor, "Highlights in History" documents the center's activities from its beginnings as a club to its current status as a nonprofit organization with an international voice in printmaking and photography.
September 28, 2015 |
On first impression, David Noonan's silk-screened linen collages mounted on wooden supports project an aura of formality and stillness on the crisp white walls of UArts' Rosenwald-Wolf Gallery. A closer look reveals something else altogether: These icily elegant, tidily constructed works are embodiments of taboo avant-garde performances, brimming with erotic overtones. For many of these works, Noonan appropriated archival photographic images of Japanese Butoh dancers, which he then cropped and enlarged and silk-screened onto glued-together patches of linen and jute.
August 26, 2015 |
Marion Boulton "Kippy" Stroud, 76, the seemingly indefatigable founder and director of the Fabric Workshop and Museum in Philadelphia and the Acadia Summer Arts Program - a.k.a. "Kamp Kippy" - in Maine, died suddenly Saturday, Aug. 22, at her home in Northeast Harbor, Maine. She was, said Timothy Rub, director of the Philadelphia Museum of Art, of great significance both to the Art Museum, where she was a long-serving trustee, and to the world of contemporary art, where she championed textiles as a medium and, ultimately, all things fashioned by hand.
March 22, 2015 |
What made Jessica Lang Dance's debut in Dance Celebration at Annenberg Center for the Arts on Thursday night - Philadelphia's introduction to the troupe - such a pleasurable surprise was the range of the six works on Lang's artfully planned program. She's the Bucks County girl who made good choreographing for companies around the world and is now a Bessie Award-winning choreographer in New York. Lang set a masterful table with the first Mondrian-inspired piece, "Lines Cubed," and as tastes of the variety of her choreography, offered five more delectable courses.
February 16, 2015 |
For someone who still pulls his high school yearbook out of a desk drawer at least three times a week and can still recite the 1967 all-Catholic basketball team, Wednesday was a fairly typical day. I signed up for trivia nights at St. Pius and Cardinal O'Hara along with friends from St. Dorothy's and St. Laurence and St. Anastasia. Later, an acquaintance from Sacred Heart asked me to take part in O'Hara's career day. That afternoon, I drove to Neumann-Goretti for a story on the nation's top-ranked girls' team, one whose coach went to St. Gabriel's and Archbishop Carroll.
October 11, 2014 |
A blue-tinged dog guarded the perimeter of a Bryn Athyn backyard on a warm afternoon in September. Beyond, vats of logwood chips and fermented indigo flowers steeped on the lawn, and swaths of fabric in shades of navy, lavender, and cornflower dried in the sun, draped over drying racks, bushes, and lawn chairs. At the center of this blue streak were Mira Adornetto and Elissa Meyers of BlueRedYellow, Philadelphia's natural-dye house. They were running a "blue" workshop, the first in a tricolor fall series.
August 18, 2014 |
Behind a glass wall in Drexel University's ExCITe Center, a fully pregnant mannequin stands tall with nothing on but a strip of knitted blue fabric around its bulging stomach. The garment, called a belly band, isn't the latest trend in maternity wear; it's an all-knit, wireless fetal monitor. Drexel's Shima Seiki Haute Technology Laboratory creates smart garments with electronic circuitry knitted right in. So instead of a boxy device on your wrist or around your waist, the clothes themselves become a monitor that is flexible, comfortable, and soft.