ENTERTAINMENT
January 24, 1993 | By Ryan Murphy, FOR THE INQUIRER Also contributing to this story was the Los Angeles Times
"It's absurd!" blasts Louis Malle. "They keep telling you it's not censorship, but clearly it is. To release a film in this country with an NC-17 rating is a kind of kiss of death. You won't get a wide release, some newspapers won't even carry your advertisement. So what can you do? You're forced to make changes to fit into the system. " The director pauses, searches for further fuel for his tirade, and then can only laugh when he repeats himself. "I tell you, the NC-17 rating is absurd!"
NEWS
October 2, 2009 | By John Timpane INQUIRER STAFF WRITER
Pennsylvania's lawmakers are proposing to slash the state's film tax credit, and the local film industry is crying foul. The Pennsylvania film tax credit, begun in 2004, covers certain production expenses for state-sited films, TV series, and shows. Funds for the credit stand at $75 million, but in cash-strapped Pennsylvania, budgeteers are talking about slicing it to $49 million, according to the Greater Philadelphia Film Office. It is the first time a dollar amount has been put on the proposed cut. "That's just crazy," said Sharon Pinkenson, executive director of the film office.
NEWS
March 30, 2010 | By Michael Klein INQUIRER STAFF WRITER
Umbrella-toting pedestrians fought the rain yesterday on South 21st Street, across from two orange cranes looming over a brownstone at Delancey Place. Then they stopped, turned around, and retraced their routes. Again and again. A production company was shooting a television pilot for NBC inside the house on the corner. As technicians on the cranes shined lights through the windows, the actor Jimmy Smits was emoting for a one-hour untitled drama, in which he plays a Supreme Court justice named Garza who returns to private practice so he can pursue cases involving constitutional law. The shoot has given more than 100 film-industry locals jobs for about three weeks.
NEWS
January 17, 2010 | By Christine Bahls FOR THE INQUIRER
For years, Faye Sevilla Smith, a wardrobe supervisor in the film industry, lived life on the road. Though she and her husband, John, had a base in Los Angeles and, for a brief time, in New Orleans, the two called home wherever a film's location took them. For some of that time, John Smith, 35, was working on his dissertation for a doctorate in economics. Then, three years ago, Rutgers University in Camden offered him an associate professor's position, and Sevilla Smith, also 35, became pregnant with their son, Max. The couple needed a permanent address.
NEWS
November 14, 1986 | By Desmond Ryan, Inquirer Movie Critic
Since the release of La Balance four years ago, Bob Swaim has been what Hollywood calls a hot director. But the truth is that he first got into movies just to stay warm. The Paris winter of 1965 is remembered with some feeling by Swaim for its exceptional ferocity. He was a poor anthropology student caught up by Hemingway visions of the romance of being an American in Paris. The reality was chillingly different. "It was freezing, and I had so little money that I couldn't even appreciate how cheap it was to live in the city back then," said Swaim with a rueful laugh.
NEWS
July 6, 1998 | By Gaiutra Bahadur, INQUIRER CORRESPONDENT
It's the climax of Major Saab, a feature produced by and starring Amitabh Bachchan, an icon of the Indian film industry, the leading man in the 1970s and 1980s. In a comeback role as a major at a military academy, Bachchan has just taken a cadre of cadets past the ed goons guarding the mansion of an underworld king. Their mission is not political, but romantic. Rifles cocked, the cadets watch as the gangster's son circles a fire, seven times, with a woman hidden under the folds of a pink sari.
NEWS
November 21, 1993 | By Dick Polman, INQUIRER STAFF WRITER
The walls of Le Julyann, a neighborhood cafe, are covered with storefront pictures that look to be as old as photography itself. Fish peddlers and cheese merchants sip their espressos before switching to young red wine. And the clerk at the bar dispenses Gitane cigarettes with the deftness of a blackjack dealer. But hold on. What's that Jurassic Park pinball machine doing in here? Denise Marraccin, the manager, flashed a smile of resignation. It was her children's idea, she said.
NEWS
July 8, 1992 | By Ryan Murphy, FOR THE INQUIRER
There is a brief scene in Boomerang, the new Eddie Murphy film, that stopped test audiences cold. And the scene doesn't even involve Murphy. Halle Berry is saying goodnight to a suitor at her door. The two exchange charming farewells in several languages, until Berry confuses her date by saying something in Korean. "That means, 'I'm sorry I shot you, but I thought you were robbing my store,' " she says smiling, translating for her guest. "Every time that scene plays, you can hear a little gasp from the audience," producer Warrington Hudlin says proudly.
NEWS
June 9, 1987 | By Ken Tucker, Inquirer TV Critic
Television's treatment of the pornographic film industry is usually so moralistic, so quick to condemn while making sure you get a peek at the naughtiness, as to be useless. Tonight's edition of Frontline, titled "Death of a Porn Queen" (Channel 12 at 10), is better than that, if only because interesting details have managed to squeak past the filmmakers' meticulous high-mindedness. "How does an ordinary small-town girl become a porn queen?" asks the narrator in the opening moments of the investigation into the life of Colleen Applegate.
ENTERTAINMENT
June 30, 1997 | By Barbara Demick, INQUIRER STAFF WRITER
As dusk falls over a drab city street, the marquee of the New Age Cinema switches on its lights and glows like a beacon. Students from the nearby University of Tehran mill about expectantly, clutching tickets they've bought for 2,000 rials - about 50 cents. There is precious little entertainment for the youth of Tehran - no discos, few cafes, hardly any music. But, ah yes, there are movies, plentiful, cheap and of a quality that is increasingly winning Iran international acclaim.