February 23, 2013
Film New this week: 56 Up (**** out of four stars). The eighth installment in the extraordinary doc series that began with Seven Up, profiling a group of British 7-year-olds, and revisiting them every seven years since. Although the respective stories are different, ultimately what is so compelling is the universality of the experiences. We were all once children. And we all will die. And in between, there is everything else. No MPAA rating (adult themes). - Steven Rea Music Sweet Honey in the Rock.
February 22, 2013 |
When she was 8 or 9, in the 1960s, Jen Bryant learned to type by copying obituary material on the desk of her father, a Flemington, N.J., undertaker. In 2004, having already published more than a dozen books, she happened on a painting at the Brandywine River Museum by Horace Pippin, the late African American artist from West Chester. Bookend events. From her first childhood taste of writing to her latest children's book, A Splash of Red: The Life and Art of Horace Pippin, published by Alfred A. Knopf in January.
February 22, 2013 |
The stage production based on E.B. White's story Charlotte's Web continues at Broadway Theatre of Pitman. Charlotte the Spider, Templeton the Rat, and their animal friends try to save Wilbur the Pig from being slaughtered. Charlotte writes messages in her web to get the farmer's attention in hopes he will let Wilbur live. "Charlotte's Web," 10 a.m. and 7:30 p.m. Friday, 10 a.m. and 1 p.m. Saturday at Broadway Theatre of Pitman, 43 S. Broadway, Pitman. Admission: $9. Tickets can be purchased by phone, at the theater box office, or online at www.pitmanbroadwaytheatre.com . Information: 856-384-8381.
February 17, 2013
Jen Bryant lives in Chester County and is the author of "A Splash of Red: The Life and Art of Horace Pippin," illustrated by Melissa Sweet In 1933, if you peered through the first-floor window of a certain plain brick house on Gay Street in West Chester, you might see a strongly built African American man, impeccably dressed in pressed white shirt and wool vest, his left hand grasping his right wrist, leaning toward his easel. His gaze is riveted, intense, as he applies from his palette, in thick, short strokes, house paint he's scavenged from the borough's alleys.
October 24, 2010 |
Visitors to the Barnes Foundation eventually discover that there's much more to its extraordinary display than its renowned groups of impressionist, postimpressionist, and early modern paintings. There is, for instance, a sizable body of American art that accounts for about a quarter of the works installed in the Merion galleries. One room, Gallery 12, is devoted entirely to the American artists Albert C. Barnes knew and collected in depth. Despite this, and the fact that at least two American works hang in each gallery, in the public's perception the American artists continue to be eclipsed by European stars such as Renoir, Cezanne, Picasso, and Matisse.
February 8, 2009 |
Over three generations, the Wyeth family has produced five painters, three of whom have achieved national stature. Andrew, who died Jan. 16, became the most famous, not only for the remarkable longevity of his career but also because a number of other painters have trod in his stylistic footsteps. His older sister Carolyn, who died in 1994, was not one of them, although she, too, was trained by their father, N.C. Wyeth. Instead, Carolyn became the anti-Wyeth, both for her independent and sometimes rebellious personality and because her paintings often don't look very Wyeth-like.
June 15, 2007 |
Joy Feasley, a Philadelphia painter, and Clare Rojas, a San Francisco (and former Philadelphia) painter, have much in common. They're inspired by folk art, they often depict nature and animals in their work, and both were included six years ago in the ICA's "East Meets West: Folk and Fantasy From the Coasts," an exhibition organized by Alex Baker that revealed the influence of folk art on young Philadelphia and San Francisco artists. Now, the two have the second floor of Locks Gallery all to themselves.
November 10, 2006 |
Beth Heinly says she admires paint-pushing abstract expressionists like Joan Mitchell and Willem de Kooning. The 25-year-old artist also connects with neo-expressionist Jean-Michel Basquiat, and, more recently, with his pop mentor Andy Warhol, who she says has appeared in her dreams. This quirky pedigree can be detected in Heinly's super-casual, unframed marker-on-paper drawings at the Black Floor Gallery, but her channeling is entirely original. Heinly's deliberately awkward, Frankenstein-walk line and scrawling of blunt, graffitilike sentiments are reminiscent of Basquiat.
March 8, 2005 |
As Chester County has grown and changed over the last 25 years, the popular discussion among many residents has been the loss of the "old" Chester County: the loss of farms, the landscapes that vanished in favor of housing developments, and so on. Indeed, loss and change are real for many people in the county. For me, the "old" Chester County suffered an irreplaceable loss with the death on Feb. 17 of the artist Tom Bostelle. Bostelle was 83. He spent his entire life in the county, first in West Chester, then Downingtown, then Pocopson.
March 6, 2005 |
William Henry Smith paints stories. In his mind's eye, he sees three brothers gathered around a table. The oldest boy is teaching the younger ones to draw. Behind them stands Smith, holding a pipe, offering advice to his sons. This is Smith's next story, one he plans to put to paper this month. For Smith, whose career as an artist spans 65 years, the message is, "Let the kids draw. " "Give a child a box of Crayolas. If he doesn't eat it first, he will draw," said Smith, of Bristol Borough, who is preparing for an exhibition in Washington next year.