March 17, 2015 |
In Frances Galante's home, a portrait she painted of the Maine countryside hangs prominently. It's the kind of work that would stop visiting friends. Some would ask questions; most would admire. Ms. Galante always would be humble. "She would say, 'My paintings aren't that great,' or, 'This still needs work,' " said Linda Galante, her sister. "But I know so many people who would look at her art and start crying because it was so moving. " Ms. Galante, 57, a prominent painter in the region, died Tuesday, March 10, in her Philadelphia home after a long battle with ovarian cancer.
July 5, 2013 |
Lizbeth Stewart Gruskin, 64, of Yardley, a Philadelphia-area artist whose hand-built ceramic sculptures of animals are on display across the globe, died Monday, June 24, of lung cancer at her home. Lizbeth Stewart, as she was known in the art world, taught ceramics for 30 years at the University of the Arts before retiring as a professor emeritus in December. All the while, she created artworks for exhibition - larger-than-life sculptures of dogs, birds, cats, lizards, and monkeys, some with stylized swirls or stripes in place of fur or hide.
May 20, 2013 |
Barbara Chase-Riboud, the internationally acclaimed sculptor, poet, and author who lives and works in Paris and Rome, was back this weekend where it all began - Philadelphia. Chase-Riboud was here to help mark the 40th anniversary of the Brandywine Workshop, founded by predominantly African American artists and educators. And she was also here on business: In September, the Philadelphia Museum of Art will hold an exhibit of her work. Outside art circles, Chase-Riboud, 74, may be best known for her historical novels.
April 15, 2013 |
Sidney Goodman, 77, one of the most acclaimed, influential, and respected artists Philadelphia has produced since the end of World War II, died Thursday, April 11. He suffered for the better part of a year from Parkinson's disease. A Philadelphia native, Mr. Goodman graduated from Philadelphia College of Art, now University of the Arts, in 1958. By the early 1960s, his boldly imaginative style of figurative painting had brought him national attention. When he was 27, Time magazine described him as "one of the most respected and sought-after of the new figure painters.
February 24, 2013 |
The Philadelphia Museum of Art has named Matthew Affron, a scholar and curator at the University of Virginia, to the museum's prestigious post of curator of modern art, museum officials announced Friday. Affron succeeds Michael Taylor, who was named head of the Hood Museum at Dartmouth College in 2011. Timothy Rub, director of the Art Museum, also announced that Dirk H. Breiding, an assistant curator at the Metropolitan Museum of Art, has been named associate curator of arms and armor in Philadelphia.
February 23, 2013 |
The Philadelphia Museum of Art has named Matthew Affron, a scholar and curator at the University of Virginia, to the museum's prestigious post of curator of modern art, museum officials announced Friday. Affron succeeds Michael Taylor, who was named head of the Hood Museum at Dartmouth College in 2011. Timothy Rub, director of the art museum, also announced that Dirk H. Breiding, an assistant curator at the Metropolitan Museum of Art, has been named associate curator of arms and armor in Philadelphia.
January 18, 2013 |
The Philadelphia Museum of Art and three other U.S. institutions have joined to offer a sweeping survey of historical American art for exhibition in South Korea. Museum officials describe the show, which includes more than 100 works drawn from three centuries of American art making, as the first such major survey in Korea. "Many Koreans are aware of American artists such as Jackson Pollock and Andy Warhol, and familiar with post-1960s American art, but not with the work of artists of earlier periods, such as John Singleton Copley, Thomas Cole, Winslow Homer, and Thomas Eakins," Seung-ik Kim, the National Museum of Korea's lead curator for the exhibition and a specialist in Korean modern art and visual culture, said on Wednesday.
January 7, 2013 |
For Albert Barnes, the French impressionist painter Pierre-Auguste Renoir was a magnificent obsession on a scale that defies both reason and understanding. Between 1912, when he acquired his first nine Renoirs, and 1942, when he bought his last two, the founder of the Barnes Foundation gathered under his roof 178 Renoir oils of various sizes and subjects (as well as a pastel drawing, a lithograph, and a sculpture). Perhaps the best explanation of this amazing prodigality comes from the collector himself, as quoted on page 33 of the foundation's new comprehensive catalog of its Renoirs: "I have never experienced from Renoir's work the ennui or disgust with the platitudinous emptiness and general damn rot that I have found in the work of practically every other man represented in my collection from Delacroix to Picasso.
November 5, 2012 |
An exhibition like the current "Dancing Around the Bride" had to happen eventually at the Philadelphia Museum of Art, which holds the largest and most important collection anywhere of art by Marcel Duchamp. Its premise is simple, and hardly a surprise encounter, given that its essential truth has been known for decades. Duchamp was one of the most influential artists of the last 100 years. Among those he influenced directly were two important visual artists, Jasper Johns and Robert Rauschenberg; a dancer and choreographer, Merce Cunningham; and a composer, John Cage.
July 29, 2012 |
Any art museum that desires to attract adolescent males (that is, males up to the age of about 25) might follow the lead of the Allentown Art Museum and stage an exhibition like "At the Edge: Art of the Fantastic. " In a catalog statement, the museum's president and chief executive officer, J. Brooks Joyner, calls this extensive display of fantasy art "the first of its kind and scale to be undertaken by a museum of fine arts in America. " I can believe it, because art museums traditionally consider art of this kind to be beyond the pale - overtly commercial, lurid, and devoid of serious aesthetic character.