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Music Director

NEWS
December 24, 2014 | By Bonnie L. Cook, Inquirer Staff Writer
Stefan Brock Kozinski, 61, formerly of Chadds Ford, an internationally known composer, conductor and musician, died this month in his apartment in Bremen, Germany. The German medical examiner said he was found unresponsive in his bed by a friend on Thursday, Dec. 11. The cause of death was a heart attack. The exact time of his death was unclear. A native of Wilmington, Mr. Kozinski lived in many places throughout his music career - Chadds Ford, New York City, Spokane, Wash., and Germany.
NEWS
January 11, 2015 | By David Patrick Stearns, Inquirer Music Critic
Just because Richard Strauss' boisterous tone poem Till Eulenspiegel's Merry Pranks often seems to "play itself" doesn't mean that it should arrive on autopilot, as often as it does. In his return to the Philadelphia Orchestra, former music director Christoph Eschenbach didn't allow that to happen, in ways that could restore one's lost faith in the piece. In his Strauss/Schumann program on Thursday at the Kimmel Center, your ears settled into the "once-upon-a-time" theme that opens Strauss' series of musico-dramatic adventures that depict the mythical roguish prankster and show the composer full of guttural humor in what ultimately emerged as his most fractured score.
NEWS
February 21, 1991 | By Inga Saffron, Inquirer Staff Writer
Only three days after the New Jersey Symphony Orchestra ended a lingering labor dispute, conductor Hugh Wolff announced yesterday that he would not return as music director when his contract expires next year. Wolff, the Harvard-trained Wunderkind who has shaped a lackluster ensemble into a top-ranked regional orchestra over the last six years, took pains at a news conference to emphasize that his decision was not related to the musicians' contract or the symphony's troubled finances.
NEWS
August 26, 2008 | By Peter Dobrin INQUIRER MUSIC CRITIC
The Philadelphia Orchestra burned through a lot of music-director prospects last season. At the outset, in September, the roster brimmed with nearly a half-dozen conductors whose reputations or previous visits raised expectations. Then they conducted here. And that was that. Among players, the tantalizing rumor is circulating that the candidate pool has been winnowed down to one: God. With such Talent not on the roster at CAMI or any of the other classical-talent agencies, the orchestra might think back a mere five years for a reality check to the conductor before last.
NEWS
October 6, 2008 | By Peter Dobrin INQUIRER MUSIC CRITIC
While the New York Philharmonic awaits new blood with the arrival next season of Alan Gilbert, who it has on the podium now is hardly a compromise. True, tour appearances are deceptive. But the one Friday night at the Kimmel Center with outgoing music director Lorin Maazel attested to a wise steward in sync with an ensemble of generally high standards. In this orchestra, as in all large American orchestras, the triumph of job security sometimes causes the listener to wince at spotty cases of players who have stayed too long.
ENTERTAINMENT
November 25, 1988 | By Lesley Valdes, Inquirer Music Critic
Gunther Herbig, music director of the Detroit Symphony who next season leads the Toronto Symphony, will conduct the Philadelphia Orchestra in Mozart's Symphony No. 25 in G minor and Schonberg's Verklarte Nacht this weekend. The centerpiece is the Tchaikovsky Violin Concerto in D major with violinist Cho-Liang Lin. Philadelphia Orchestra at the Academy of Music, Broad and Locust Streets, at 2 p.m. today and 8 p.m. tomorrow and Tuesday. Tickets: $8 to $50. Phone: 893-1999. NEW JERSEY SYMPHONY.
NEWS
August 15, 2007 | By David Patrick Stearns INQUIRER MUSIC CRITIC
In a surprise reversal of what appeared to be a deteriorating relationship between the Philadelphia Orchestra management and outgoing music director Christoph Eschenbach, the orchestra announced late yesterday that Eschenbach will have extended residencies in Philadelphia through the 2009-2010 season. Though Eschenbach's formal tenure as music director concludes at the end of the forthcoming 2007-2008 season, plus a previously announced tour in winter of 2009, he will also spend "multiple weeks with the orchestra conducting projects under discussion," according to a news release.
ENTERTAINMENT
January 11, 1991 | By Lesley Valdes, Inquirer Music Critic
Everybody talks at once in Prokofiev's Third Symphony. Strings charge ahead in one direction, trumpets careen in another, timpani bangs, tambourine rattles, the piccolo has a banshee shrillness. It's a score that appropriates every inch of space surrounding the 100-plus members of the orchestra. Prokofiev composed the music in 1928-29 using thematic ideas from his at- the-time-unstaged opera The Fiery Angel. Like the theater piece, the symphony conjures heaven and hell; Russia's steppes, Stalin's sadism.
NEWS
November 27, 2008 | By Sally A. Downey INQUIRER STAFF WRITER
Harry Rosen, 84, of Center City, a former typesetter and music director, died of complications from heart failure Monday at Hahnemann University Hospital. A native of New York City, Mr. Rosen was an Army rifleman in Italy during World War II. After his discharge, Mr. Rosen, who had been a cantor in Orthodox congregations in his youth, was accepted at the Juilliard School. He hoped to study piano and conducting, but had to help support his family so he became a typesetter, said his wife, Sylvia Weinstock Rosen.
NEWS
July 1, 2013 | By David Patrick Stearns, Inquirer Music Critic
For years at a time, classical Philadelphians go missing from the recording industry - and then they return amid a critical mass that couldn't have been predicted. Chamber Orchestra of Philadelphia will eventually have 100 or so concerts available for download and streaming. Though the Philadelphia Orchestra's recorded debut with music director Yannick Nézet-Séguin won't be out until fall, he has major discs with his other two orchestras (Montreal Metropolitain and Rotterdam Philharmonic)
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