February 12, 2013 |
When Philadelphia Singers founder and music director Michael Korn died in 1991 at age 44, no one could imagine the group continuing. But it did; in fact, his successor, David Hayes, has now been at the helm longer than Korn was. And as Hayes clocks more than two decades in the job, he is asking the board to start envisioning a future without him. Hayes told his singers Monday night that the 2014-15 season will be his last. A search committee for his successor will be formed, a board member said.
June 6, 2015 |
Andreas Delfs, a relatively high-profile orchestral conductor, will take up the baton at a school - as professor of music and artistic director and conductor of the Temple University Symphony Orchestra. He officially starts July 1 and will move to Philadelphia, said Robert Stroker, dean of Temple's Boyer College of Music and Dance. The German-born conductor - who was music director of the Milwaukee Symphony Orchestra from 1997 to 2009 and of the St. Paul (Minn.) Chamber Orchestra from 2001 to 2004 - will run Temple's orchestral program, teach conducting and orchestral repertoire, oversee commissioning and the engagement of guest artists, and coach chamber music, Stroker said.
February 21, 1991 |
Only three days after the New Jersey Symphony Orchestra ended a lingering labor dispute, conductor Hugh Wolff announced yesterday that he would not return as music director when his contract expires next year. Wolff, the Harvard-trained Wunderkind who has shaped a lackluster ensemble into a top-ranked regional orchestra over the last six years, took pains at a news conference to emphasize that his decision was not related to the musicians' contract or the symphony's troubled finances.
August 26, 2008 |
The Philadelphia Orchestra burned through a lot of music-director prospects last season. At the outset, in September, the roster brimmed with nearly a half-dozen conductors whose reputations or previous visits raised expectations. Then they conducted here. And that was that. Among players, the tantalizing rumor is circulating that the candidate pool has been winnowed down to one: God. With such Talent not on the roster at CAMI or any of the other classical-talent agencies, the orchestra might think back a mere five years for a reality check to the conductor before last.
October 6, 2008 |
While the New York Philharmonic awaits new blood with the arrival next season of Alan Gilbert, who it has on the podium now is hardly a compromise. True, tour appearances are deceptive. But the one Friday night at the Kimmel Center with outgoing music director Lorin Maazel attested to a wise steward in sync with an ensemble of generally high standards. In this orchestra, as in all large American orchestras, the triumph of job security sometimes causes the listener to wince at spotty cases of players who have stayed too long.
November 25, 1988 |
Gunther Herbig, music director of the Detroit Symphony who next season leads the Toronto Symphony, will conduct the Philadelphia Orchestra in Mozart's Symphony No. 25 in G minor and Schonberg's Verklarte Nacht this weekend. The centerpiece is the Tchaikovsky Violin Concerto in D major with violinist Cho-Liang Lin. Philadelphia Orchestra at the Academy of Music, Broad and Locust Streets, at 2 p.m. today and 8 p.m. tomorrow and Tuesday. Tickets: $8 to $50. Phone: 893-1999. NEW JERSEY SYMPHONY.
August 15, 2007 |
In a surprise reversal of what appeared to be a deteriorating relationship between the Philadelphia Orchestra management and outgoing music director Christoph Eschenbach, the orchestra announced late yesterday that Eschenbach will have extended residencies in Philadelphia through the 2009-2010 season. Though Eschenbach's formal tenure as music director concludes at the end of the forthcoming 2007-2008 season, plus a previously announced tour in winter of 2009, he will also spend "multiple weeks with the orchestra conducting projects under discussion," according to a news release.
January 11, 1991 |
Everybody talks at once in Prokofiev's Third Symphony. Strings charge ahead in one direction, trumpets careen in another, timpani bangs, tambourine rattles, the piccolo has a banshee shrillness. It's a score that appropriates every inch of space surrounding the 100-plus members of the orchestra. Prokofiev composed the music in 1928-29 using thematic ideas from his at- the-time-unstaged opera The Fiery Angel. Like the theater piece, the symphony conjures heaven and hell; Russia's steppes, Stalin's sadism.
November 27, 2008 |
Harry Rosen, 84, of Center City, a former typesetter and music director, died of complications from heart failure Monday at Hahnemann University Hospital. A native of New York City, Mr. Rosen was an Army rifleman in Italy during World War II. After his discharge, Mr. Rosen, who had been a cantor in Orthodox congregations in his youth, was accepted at the Juilliard School. He hoped to study piano and conducting, but had to help support his family so he became a typesetter, said his wife, Sylvia Weinstock Rosen.
May 1, 2012 |
‘And oh, that towering feeling! … that overpowering feeling," sings the character Freddy in My Fair Lady, in one of the greatest songs of the American theater, "On the Street Where You Live. " He's been hopelessly smitten by the transformed flower girl, Eliza Doolittle. Oh, that towering feeling — it's what's missing from the Act II Playhouse production of the classic musical by Alan Jay Lerner and Frederick Loewe. Overpowering? I'm afraid not. The theater company has been making much of the fact that it is producing the normally lush and lavish musical on the intimate stage of its 130-seat theater in Ambler.