August 7, 1986 |
The Philadelphia music industry launched an ambitious project yesterday designed to focus national and local attention on the city as, in Mayor Goode's words, "the music Mecca of the world," and to pump new energy and dollars into the music business here. "In the early '60's, Philadelphia was one of the biggest music centers," said Larry Magid of Electric Factory concerts. "Now, it's strong, but no one knows about it. What we want to do is encourage growth and create more jobs.
July 10, 1986 |
"Philly's Beat," a musical revue written and directed by Stephen Stahl. Musical direction and arrangements by William Jolly, choreography by Robin Reseen, lighting and set design by Daniel C. Abrahamsen, costumes by Patricia Hibbert, audio by William Vannice. Presented by Broadway Bound, Inc., and Albert Reyes at Plays & Players Theatre, 1714 Delancey St., through Aug. 24. For all intents and purposes I stopped listening to new popular music in the middle 1950s. Almost without exception the raw pop material being introduced via records and the airwaves at that time was inane, silly beyond belief, infuriatingly simplistic and marketed with unerring aim at adolescents, pre-adolescents and perpetual adolescents of unformed tastes and inchoate discrimination.
March 1, 2000 |
Barry Abrams, 64, a music-promotion man who helped take numerous careers to the top of the charts, died Monday at Hahnemann University Hospital in Philadelphia. A Cherry Hill resident since the early 1970s, he was born and raised in Philadelphia. Mr. Abrams became known as one of the nation's leading recording-artist promotion men by getting records, often for new young artists, airtime in Philadelphia, one of the nation's most respected music markets. He worked in the industry from 1957 to 1981.
February 1, 1998 |
While record sales in most musical styles have turned relatively flat in recent years, consumer interest in Christian contemporary music has exploded, according to an industry trade group. The Christian music industry has changed in the last five years, as major recording labels have taken notice of the music's commercial potential, musicians and industry experts say. Smaller Christian-oriented labels have been acquired by major ones, giving Christian acts wider access to major sales, marketing and promotional outlets.
June 27, 1990 |
"This is the best day I've had since my bar mitzvah," cracked progressive folky Jay Ansill. Jazz vocalist Evelyn Simms whooped and hollered, then whispered to a friend, "I'm glad I came. " The two were among the winners at the Third Philadelphia Music Awards, the almost-annual pat on the back to local musicians from their industry colleagues and fans. Still begging for a nickname like The Phillys, the $300-a-pop plexiglass awards, which look like little Washington Monuments, were handed out at midday ceremonies yesterday at the Academy of Music Rehearsal Hall.
February 10, 2005 |
Grammy winner and developer Kenny Gamble said yesterday he had finalized an agreement to bring the Rhythm & Blues Foundation from New York to Philadelphia - the first step in his quest to make this city a destination for fans of a musical style he helped to pioneer three decades ago. Gamble, 61, who created the "Sound of Philadelphia" and recently is known for redeveloping his old neighborhood in South Philadelphia, said he expected the foundation...
February 13, 2012 |
THE GRAMMYS are that annual lovefest when the music industry tries to convince the rest of the world that it still has a pulse. But you know what showed a surprising heartbeat yesterday? The movie industry. For the first time since Christmas 2008, four - count 'em, four - movies opened with more than a $20 million box-office haul. "The Vow" led the way with a ridiculous $41.7 million. Who knew so many people would remember to see a movie about amnesia? In second, with $39.3 million, according to yesterday's studio estimates, was the Denzel Washington-Ryan Reynolds ' action thriller "Safe House.
May 4, 2013 |
When it works well, the music business can be Darwinian: The best music will find its audience, somehow. Parquet Courts' Light Up Gold is a case in point. Released last summer on the band's own label, the album followed the Brooklyn band's noisy, lo-fi debut, which was first released only on cassette and generated little notice. But Light Up Gold , recorded in three days in the band's rehearsal space, is a bold, bracing blast of punk rock, full of sharp, rousing riffs behind wordy, witty rants, and it found enough acclaim for a larger indie label, What's My Rupture?
December 6, 2012 |
NEW YORK - Fleetwood Mac is heading back on the road, and that means the top-selling group will release new music, sort of. On its 34-city North American tour, which begins April 4 in Columbus, Ohio, and plays the Wells Fargo Center in Philadelphia on April 6, the band will perform two new songs, and that could mean a new album will follow. Or not. Stevie Nicks recently sang on tracks that Lindsey Buckingham, Mick Fleetwood, and John McVie worked on, calling the sessions "great. " But Nicks also said she was not sure where the band fits in today's music industry.
April 2, 2004 |
April is upon us, and while the month brings showers for those May flowers, it also brings another installment of "Breakthru Artists" at the Five Spot on Sunday. Not quite an open mike, "Breakthru" does grant artists the opportunity to showcase their talents, only they must audition beforehand. So the acts you see on stage the first Sundays of the month have already shown some skills. "Breakthru" also differs from area talent showcases in that more than one style of music is represented.