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NEWS
September 11, 2005 | By Peter Dobrin INQUIRER CULTURE WRITER
The Philadelphia Orchestra has satisfied the terms of a major challenge grant, triggering a $10 million gift and pushing the orchestra's campaign for its endowment past the $100 million mark. The orchestra will receive $10 million from the Neubauer Family Foundation - now that the orchestra has raised an additional $10 million from various donors and $10 million from its own board. The Neubauer money puts the total raised for the endowment campaign at $100,800,000. The current goal is $125 million - "though I'd like to see us blow past that," said Julie D?az, the orchestra's vice president of development.
NEWS
December 28, 1989 | By Lucinda Fleeson, Inquirer Staff Writer
The Philadelphia Orchestra announced yesterday that it had received a $3 million challenge grant from the William Penn Foundation, the first gift from a major Philadelphia foundation for the proposed $95 million concert hall. "It's a very significant sign," said Peter Wyeth, director of development for the orchestra. The foundation grant, he said, gave the concert-hall project "the Good Housekeeping Seal of Approval. " According to a statement by Bernard C. Watson, president of the William Penn Foundation, the grant "reflects our belief that the concert hall project is an extremely important one for Philadelphia.
ENTERTAINMENT
May 13, 1990 | By Daniel Webster, Inquirer Music Critic
The Philadelphia Orchestra takes its case to the people tomorrow, beginning a three-week, cross-country, sea-to-sea tour. But despite all the departure hoopla scheduled at Philadelphia International Airport - balloons, a brass quintet playing Sousa marches, and a speech by music director Riccardo Muti - the orchestra will board its plane wondering if this may be the end of a format, the last flight into the sunset, the twilight of a 70-year-old tradition....
ENTERTAINMENT
August 25, 2005 | By TOM DI NARDO For the Daily News
The two Kimmel Center resident organizations will combine their operational functions, though each will remain a separate nonprofit entity with their own board of directors. The public may see little change in the near-term, though crossmarketing and cost savings will eventually benefit both organizations. "Only about 6 percent of the audience attends both orchestras, so there is plenty of opportunity," said outgoing orchestra association president Joseph Kluger. "The Pops budget is about $4 million, a tenth of ours, but by combined saving on administration, ticketing, fund-raising and other matters, the number of Pops performances may be able to increase.
ENTERTAINMENT
April 30, 2005 | By Peter Dobrin INQUIRER CULTURE WRITER
The Philadelphia Orchestra will perform three neighborhood concerts this summer. Once again, all are free. Continuing a practice that started regularly in 2000, the orchestra will trade its downtown venue for area neighborhoods. This year's concerts will be on Penn's Landing, in Camden's Whitman Park, and at Montgomery County Community College. The program will differ slightly for each concert, but all three will include Copland's Fanfare for the Common Man, Bernstein's "Overture" to Candide, and the "Symphonic Dances" from West Side Story.
NEWS
October 4, 2000 | by Tom Di Nardo, Daily News Classical Music Writer
Our Philadelphia Orchestra has garnered many historic firsts, and tomorrow night adds a cosmic one: the first symphony orchestra represented in space. The occasion is the 100th space shuttle launch, a slick tie-in to the upcoming 100th birthday of the Orchestra Nov. 16. Several weeks ago, the National Aeronautics and Space Administration filmed the Orchestra at the Academy of Music playing the opening bars of Richard Strauss' "Also Sprach Zarathustra," indelibly linked with Stanley Kubrick's film "2001: A Space Odyssey.
ENTERTAINMENT
March 23, 1998 | By Daniel Webster, INQUIRER MUSIC CRITIC
Karl Nielsen's symphonies blow through concert halls, their sounds a reminder that late romantic music is not neatly categorized. When Daniel Hege led the Haddonfield Symphony in Nielsen's Symphony No. 3 on Saturday, he was on a voyage of discovery. Certainly the piece is not overplayed, and it was probably being heard for the first time at the Voorhees Schools Theater. Nielsen's melodic ideas sound like poetry read in a not-quite-familiar language. Phrases, whole sections, move with fresh motion, modulate, shift and, in this work, burst into gaiety.
ENTERTAINMENT
September 22, 1989 | By Daniel Webster, Inquirer Music Critic
The Philadelphia Orchestra's first concert after its gala opening always has the air of a grateful return to its real mission. Orchestra and audience meet with high expectations on both sides and with few distractions to jostle those hopes. That was the basis on which the orchestra began its season last night at the Academy of Music. Riccardo Muti was on the podium, and in this beginning program, defined the orchestra's mission as one of pointing out the unifying threads that connect 19th- and 20th-century music.
ENTERTAINMENT
April 5, 2011 | By David Runk, Associated Press
DETROIT - The Detroit Symphony Orchestra and its striking musicians said Monday that a tentative agreement reached after a weekend of lengthy negotiating sessions could resolve a six-month walkout. The deal, which was reached after a final 10 hours of talks on Sunday, is subject to a ratification vote expected this week, said musicians' spokesman Greg Bowens. If approved, he said, Detroit Federation of Musicians union members with the nationally acclaimed orchestra could be back at work by next weekend.
NEWS
June 29, 1989 | By Daniel Webster, Inquirer Music Critic
The Philadelphia Orchestra has been keeping alive the music of composer Vincent Persichetti with greater care since his death than before. James DePreist, in his first concert of the season, conducted the orchestra in Persichetti's Symphony No. 4 last night at the Mann Music Center. It was a good reminder off the composer's range, for this piece is full of bright good spirits and short bursts of melody. The dark, acerbic sounds of some of his other symphonies appear only occasionally in this piece.
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ARTICLES BY DATE
NEWS
February 22, 2015 | By John Moritz, Inquirer Staff Writer
A violin career that began when she was 3, playing "Twinkle, Twinkle, Little Star" at home outside of Seoul, South Korea, has led a Chester County teenager to deliver award-winning classical performances at venues in Florida, California, Ohio, North Carolina - and Romania. On Sunday, Sein An is set to perform in Bryn Athyn. An, 17, of West Chester, said her success is the result of early support by her musical family. "I could actually make people happy by playing that little song," An said.
NEWS
February 20, 2015 | By Shaun Brady, For The Inquirer
With a couple of inches of fresh snow on the ground, Tuesday must not have felt much like Mardi Gras to Irvin Mayfield. But the trumpeter/bandleader did his best to bring the warmth of his native New Orleans to the Kimmel Center, with a raucous performance that was equal parts traditional and irreverent. Mayfield follows in the footsteps of fellow New Orleanian Wynton Marsalis in his efforts to marry jazz performance with education and outreach. The 37-year-old established the New Orleans Jazz Institute at the University of New Orleans in 2008, has opened two venues in the city, and was named by President Obama to the National Council on the Arts.
NEWS
February 15, 2015 | By David Patrick Stearns, Inquirer Music Critic
Conductor Valery Gergiev probably had one of the more civilized receptions of his winter U.S. tour at Thursday's Philadelphia Orchestra concert. Pro-Ukrainian protesters were outside the Kimmel Center, having their say in the ongoing debate about Gergiev's support of Russian president Vladimir Putin, and inside, the concert was business as usual - as much as Gergiev's concerts are ever typical. He has long been the master of spontaneous combustion. Although Gergiev's own Mariinsky Orchestra often plays with world-class inspiration, it's sonically compromised by the substandard quality of instruments.
ENTERTAINMENT
February 12, 2015 | By David Patrick Stearns, Inquirer Music Critic
The East-meets-West nexus in classical music still comes with so much creative leeway and remains so uncodified that a program titled "New Music From Asia" means that the only possible preconceived notion is the complete lack of one. In fact, the best-known composer in Orchestra 2001's Sunday program in Swarthmore delivered the most unexpected sounds. In Distance by Tan Dun sounded nothing like the composer's recent concert works (not to mention his Oscar-winning film music) - thanks to a particularly strong Chinese accent.
NEWS
February 8, 2015 | By David Patrick Stearns, Inquirer Music Critic
"Maestros. Can't live with 'em, can't run a major orchestra without 'em," says Bernadette Peters in the Amazon.com miniseries Mozart in the Jungle . Well, the Philadelphia Orchestra temporarily did without a maestro on Thursday in a conductorless program of Mozart, Beethoven, and Grieg - all smartly chosen to accommodate a more communal form of music-making that string quartets know well, with the added charisma of the British piano goddess Imogen...
ENTERTAINMENT
February 7, 2015 | By Monica Peters, For The Inquirer
What's that smell? It's The Stinky Cheese Man and Other Fair(l)y (stoopid) Tales at Walnut Street Theatre through Sunday. The hour-long musical comedy is based on the immensely popular 1992 book by Jon Scieszka and Lane Smith. Jack tries to save himself from being eaten by the Giant by regaling him with fairy tales, frequently fractured (Cinderumplestiltskin, anyone? Goldilocks and the Three Elephants?). Fairy-tale worlds converge and come to life as the audience goes on a journey into Jack's crazy world.
NEWS
February 6, 2015 | By David Patrick Stearns, Inquirer Music Critic
Symphony orchestras don't typically slot in visits to China in the middle of a busy season. But the Philadelphia Orchestra is in the midst of its Pearl River Delta Residency Week, which slipped into high gear - after more than the usual Chinese cliffhangers - with a performance Wednesday of the choral/orchestral work Ode to Humanity in Macau. "I tell you, the world is getting small," said cellist Udi Bar-David, having recently stepped off a nonstop 15-hour flight from JFK Airport.
NEWS
January 31, 2015 | By Peter Dobrin, Inquirer Music Critic
Though the Philadelphia Orchestra has a steep climb ahead in its largest-ever fund-raising campaign effort, several key pieces helping to smooth the path are falling into place. The Philadelphia Orchestra Association has secured the stability of its artistic, administrative, and board leadership - an important checkoff on the list of many foundations and philanthropists. Board chairman Richard B. Worley will stay on another three years, as will president Allison B. Vulgamore. And the orchestra and music director Yannick Nézet-Séguin have committed to another five years together.
ENTERTAINMENT
January 31, 2015 | By David Patrick Stearns, Inquirer Music Critic
In a somewhat unconventional program, Yannick Nézet-Séguin led the Philadelphia Orchestra through the lighter side of Shostakovich - assuming there actually is one. Even when the composer seems to be kidding around, his music hints at something subversive, that the music means much more than it says, and what it says is always dangling out of reach. That's why you want to hear it again. The objects of curiosity Wednesday at the Kimmel Center were Shostakovich's seldom-heard Piano Concerto No. 2 and music for the film The Gadfly - paired with Beethoven's Symphony No. 5 - creating a provocative conclusion to the St. Petersburg Festival that could have been less convincing had performances not been so purposeful.
ENTERTAINMENT
January 28, 2015 | By David Patrick Stearns, Inquirer Music Critic
Of all the hours of music that will transpire at the Kimmel Center during the Philadelphia Orchestra's 2015-2016 season, the most eagerly anticipated are likely to be the concerts led by James Levine, revered music director of the Metropolitan Opera. Having been personally invited by Philadelphia Orchestra music director Yannick Nézet-Séguin - a regular guest conductor at the Met - Levine will make his first conducting appearance outside of New York City since he returned from a series of back-related surgeries and a two-year hiatus that ended in 2013.
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