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NEWS
September 11, 2005 | By Peter Dobrin INQUIRER CULTURE WRITER
The Philadelphia Orchestra has satisfied the terms of a major challenge grant, triggering a $10 million gift and pushing the orchestra's campaign for its endowment past the $100 million mark. The orchestra will receive $10 million from the Neubauer Family Foundation - now that the orchestra has raised an additional $10 million from various donors and $10 million from its own board. The Neubauer money puts the total raised for the endowment campaign at $100,800,000. The current goal is $125 million - "though I'd like to see us blow past that," said Julie D?az, the orchestra's vice president of development.
NEWS
December 28, 1989 | By Lucinda Fleeson, Inquirer Staff Writer
The Philadelphia Orchestra announced yesterday that it had received a $3 million challenge grant from the William Penn Foundation, the first gift from a major Philadelphia foundation for the proposed $95 million concert hall. "It's a very significant sign," said Peter Wyeth, director of development for the orchestra. The foundation grant, he said, gave the concert-hall project "the Good Housekeeping Seal of Approval. " According to a statement by Bernard C. Watson, president of the William Penn Foundation, the grant "reflects our belief that the concert hall project is an extremely important one for Philadelphia.
ENTERTAINMENT
May 13, 1990 | By Daniel Webster, Inquirer Music Critic
The Philadelphia Orchestra takes its case to the people tomorrow, beginning a three-week, cross-country, sea-to-sea tour. But despite all the departure hoopla scheduled at Philadelphia International Airport - balloons, a brass quintet playing Sousa marches, and a speech by music director Riccardo Muti - the orchestra will board its plane wondering if this may be the end of a format, the last flight into the sunset, the twilight of a 70-year-old tradition....
ENTERTAINMENT
August 25, 2005 | By TOM DI NARDO For the Daily News
The two Kimmel Center resident organizations will combine their operational functions, though each will remain a separate nonprofit entity with their own board of directors. The public may see little change in the near-term, though crossmarketing and cost savings will eventually benefit both organizations. "Only about 6 percent of the audience attends both orchestras, so there is plenty of opportunity," said outgoing orchestra association president Joseph Kluger. "The Pops budget is about $4 million, a tenth of ours, but by combined saving on administration, ticketing, fund-raising and other matters, the number of Pops performances may be able to increase.
ENTERTAINMENT
April 30, 2005 | By Peter Dobrin INQUIRER CULTURE WRITER
The Philadelphia Orchestra will perform three neighborhood concerts this summer. Once again, all are free. Continuing a practice that started regularly in 2000, the orchestra will trade its downtown venue for area neighborhoods. This year's concerts will be on Penn's Landing, in Camden's Whitman Park, and at Montgomery County Community College. The program will differ slightly for each concert, but all three will include Copland's Fanfare for the Common Man, Bernstein's "Overture" to Candide, and the "Symphonic Dances" from West Side Story.
NEWS
October 4, 2000 | by Tom Di Nardo, Daily News Classical Music Writer
Our Philadelphia Orchestra has garnered many historic firsts, and tomorrow night adds a cosmic one: the first symphony orchestra represented in space. The occasion is the 100th space shuttle launch, a slick tie-in to the upcoming 100th birthday of the Orchestra Nov. 16. Several weeks ago, the National Aeronautics and Space Administration filmed the Orchestra at the Academy of Music playing the opening bars of Richard Strauss' "Also Sprach Zarathustra," indelibly linked with Stanley Kubrick's film "2001: A Space Odyssey.
ENTERTAINMENT
March 23, 1998 | By Daniel Webster, INQUIRER MUSIC CRITIC
Karl Nielsen's symphonies blow through concert halls, their sounds a reminder that late romantic music is not neatly categorized. When Daniel Hege led the Haddonfield Symphony in Nielsen's Symphony No. 3 on Saturday, he was on a voyage of discovery. Certainly the piece is not overplayed, and it was probably being heard for the first time at the Voorhees Schools Theater. Nielsen's melodic ideas sound like poetry read in a not-quite-familiar language. Phrases, whole sections, move with fresh motion, modulate, shift and, in this work, burst into gaiety.
ENTERTAINMENT
September 22, 1989 | By Daniel Webster, Inquirer Music Critic
The Philadelphia Orchestra's first concert after its gala opening always has the air of a grateful return to its real mission. Orchestra and audience meet with high expectations on both sides and with few distractions to jostle those hopes. That was the basis on which the orchestra began its season last night at the Academy of Music. Riccardo Muti was on the podium, and in this beginning program, defined the orchestra's mission as one of pointing out the unifying threads that connect 19th- and 20th-century music.
ENTERTAINMENT
April 5, 2011 | By David Runk, Associated Press
DETROIT - The Detroit Symphony Orchestra and its striking musicians said Monday that a tentative agreement reached after a weekend of lengthy negotiating sessions could resolve a six-month walkout. The deal, which was reached after a final 10 hours of talks on Sunday, is subject to a ratification vote expected this week, said musicians' spokesman Greg Bowens. If approved, he said, Detroit Federation of Musicians union members with the nationally acclaimed orchestra could be back at work by next weekend.
NEWS
June 29, 1989 | By Daniel Webster, Inquirer Music Critic
The Philadelphia Orchestra has been keeping alive the music of composer Vincent Persichetti with greater care since his death than before. James DePreist, in his first concert of the season, conducted the orchestra in Persichetti's Symphony No. 4 last night at the Mann Music Center. It was a good reminder off the composer's range, for this piece is full of bright good spirits and short bursts of melody. The dark, acerbic sounds of some of his other symphonies appear only occasionally in this piece.
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NEWS
December 7, 2014 | By David Patrick Stearns, Inquirer Music Critic
French cellist Jean-Guihen Queyras might have initially looked like a rerun: He played Haydn's mid-weight Cello Concerto in C in 2008 with the Chamber Orchestra of Philadelphia, even though an artist of his stature warrants a rather more grand musical platform. Or so it seemed until he actually played, reprising the concerto Thursday with the Philadelphia Orchestra. One of Europe's top cellists, Queyras makes this infrequent U.S. appearance on the heels of a memorable collaboration abroad with music director Yannick Nézet-Séguin, who wanted to repeat the experience for Philadelphia.
ENTERTAINMENT
December 2, 2014 | By Dan Webster, For The Inquirer
It was Pied Piper night at the Philadelphia Orchestra. The audience Friday at Verizon Hall gladly would have followed clarinetist Ricardo Morales out the doors and to any destination he proposed. Morales, principal clarinet since 2003, explored shadings of his instrument's eloquence in Debussy's Premiere Rhapsodie and brought the audience to its feet with the cascades of notes and theatrical flourishes that characterize Rossini's Introduction, Theme and Variations . Although the sheer jubilance and charm of the Rossini evoked that ovation, it was in the subtle and thoughtful Debussy piece that a range of the soloist's gifts could be savored.
ENTERTAINMENT
November 27, 2014 | By Stephan Salisbury, Inquirer Staff Writer
The Philadelphia Orchestra will perform a free concert Tuesday at the Kimmel Center as part of the nationwide GivingTuesday campaign that seeks charitable contributions. Seating is general admission, and tickets may be reserved beginning at 8 a.m. Tuesday, at www.philorch.org . There will be holiday music in Commonwealth Plaza starting at 6 p.m., with opportunities to conduct the players. The Verizon Hall doors open at 7, and the 75-minute concert begins at 7:30. Music director Yannick Nézet-Séguin will lead the ensemble in seasonal favorites from Tchaikovsky, Leroy Anderson, and Brahms, plus works by Pulitzer Prize-winning Philadelphia composer Jennifer Higdon and others.
NEWS
November 16, 2014 | By David Patrick Stearns, Inquirer Music Critic
The fashion world has long popularized clothes that appear to be turned inside out. Why shouldn't the Philadelphia Orchestra do its own version of that every so often? How could that work? Dvorák's Symphony No. 8 was so significantly reimagined by guest conductor Jakub Hruša that you'd think the prevailing, mellifluous tradition of Wolfgang Sawallisch never existed. The music was a rougher ride but full of incident. Orchestral sonorities that are normally string-dominated shared the sound picture more equally with brass and winds.
NEWS
November 12, 2014 | By David Patrick Stearns, Inquirer Music Critic
Ah, that's more like it. The Chamber Orchestra of Philadelphia found its autumn-season legs, a little late, in a program featuring the orchestra's brilliant principal violist, Ayane Kozasa, and a surprise from music director Dirk Brossé - not the usual bonbon, but an Arvo Pärt piece that was the best thing on the program, and possibly one of the season's highlights. The Japanese-born, Curtis Institute-educated Kozasa may not be a revelation to juries of the competitions she has won, but she was new to this listener, having been deterred from her December 2013 Astral Artists recital by one of many blizzards.
NEWS
November 11, 2014 | By Daniel Webster, For The Inquirer
China's global economic expansion has been slow to include a matching rise in cultural institutions among its exports, but Friday brought a major step toward changing that when a youthful orchestra from Beijing played an internationally televised concert at the Kimmel Center. The concert by the NCPA Orchestra had special resonance here, because the Philadelphia Orchestra played in 1973 in a nation that had once put its musicians in coal mines and closed universities and conservatories but was cautiously peering over its cultural wall.
NEWS
November 8, 2014 | By David Patrick Stearns, Inquirer Music Critic
The concerto portion of any Philadelphia Orchestra program tends to be blessedly predictable. Not this week. Three different organ concertos are scheduled on successive days through Saturday - not small amiable specimens by Handel, but large modern works, only two of three calling themselves concertos. First up was Joseph Jongen's 1927 Symphonie Concertante , a work written for the Wanamaker organ down the street at Macy's but not performed there until 2008. The difference at the Kimmel Center on Thursday was that you could actually hear this ambitious four-movement piece - in contrast to the wildly reverberant acoustic at Macy's.
ENTERTAINMENT
November 4, 2014 | By David Patrick Stearns, Inquirer Music Critic
With its recent national tour with Branford Marsalis, 90-plus albums available on Amazon.com, and a 50th-anniversary concert next May featuring a new organ concerto from its recently knighted music director, Dirk Brossé, the Chamber Orchestra of Philadelphia would seem to have arrived at its landmark birthday due for a well-earned victory lap. Yet at its season-opening concert last month, board president Susan Schwartz McDonald looked out at...
NEWS
October 26, 2014 | By Peter Dobrin, Inquirer Music Critic
One of the reliably intriguing aspects of Vladimir Jurowski's visits to the Philadelphia Orchestra podium is the difficulty of telling from the written program the reason for assembling these particular pieces. The "why" becomes crystal clear, but only as the program is played, as it did Thursday night when the orchestra's great bearer of artistic purpose remade the ensemble three times over before our ears. Opening, it was an impressively tight new music ensemble. Then it was pared down to a lithe Mozart orchestra.
ENTERTAINMENT
October 25, 2014 | By Monica Peters, For The Inquirer
Enjoy spooktacular sounds and artistry, in your favorite costume, Saturday at the Philadelphia Orchestra's Halloween Fantastique with Cirque de la Symphonie at the Kimmel Center for the Performing Arts. The orchestra will perform 10 pieces including Danny Elfman's Batman movie theme. Other featured works include Adam Glaser's "March of the Little Goblins," French composer Hector Berlioz's "March to the Scaffold" from Symphonie Fantastique , and Rimsky-Korsakov's "Dance of the Tumblers" from The Snow Maiden . Cirque de la Symphonie will perform acrobatic dance, and kids are encouraged to come in their Halloween costumes.
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