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NEWS
February 20, 2015 | By Shaun Brady, For The Inquirer
With a couple of inches of fresh snow on the ground, Tuesday must not have felt much like Mardi Gras to Irvin Mayfield. But the trumpeter/bandleader did his best to bring the warmth of his native New Orleans to the Kimmel Center, with a raucous performance that was equal parts traditional and irreverent. Mayfield follows in the footsteps of fellow New Orleanian Wynton Marsalis in his efforts to marry jazz performance with education and outreach. The 37-year-old established the New Orleans Jazz Institute at the University of New Orleans in 2008, has opened two venues in the city, and was named by President Obama to the National Council on the Arts.
NEWS
February 15, 2015 | By David Patrick Stearns, Inquirer Music Critic
Conductor Valery Gergiev probably had one of the more civilized receptions of his winter U.S. tour at Thursday's Philadelphia Orchestra concert. Pro-Ukrainian protesters were outside the Kimmel Center, having their say in the ongoing debate about Gergiev's support of Russian president Vladimir Putin, and inside, the concert was business as usual - as much as Gergiev's concerts are ever typical. He has long been the master of spontaneous combustion. Although Gergiev's own Mariinsky Orchestra often plays with world-class inspiration, it's sonically compromised by the substandard quality of instruments.
ENTERTAINMENT
February 12, 2015 | By David Patrick Stearns, Inquirer Music Critic
The East-meets-West nexus in classical music still comes with so much creative leeway and remains so uncodified that a program titled "New Music From Asia" means that the only possible preconceived notion is the complete lack of one. In fact, the best-known composer in Orchestra 2001's Sunday program in Swarthmore delivered the most unexpected sounds. In Distance by Tan Dun sounded nothing like the composer's recent concert works (not to mention his Oscar-winning film music) - thanks to a particularly strong Chinese accent.
NEWS
February 8, 2015 | By David Patrick Stearns, Inquirer Music Critic
"Maestros. Can't live with 'em, can't run a major orchestra without 'em," says Bernadette Peters in the Amazon.com miniseries Mozart in the Jungle . Well, the Philadelphia Orchestra temporarily did without a maestro on Thursday in a conductorless program of Mozart, Beethoven, and Grieg - all smartly chosen to accommodate a more communal form of music-making that string quartets know well, with the added charisma of the British piano goddess Imogen...
ENTERTAINMENT
February 7, 2015 | By Monica Peters, For The Inquirer
What's that smell? It's The Stinky Cheese Man and Other Fair(l)y (stoopid) Tales at Walnut Street Theatre through Sunday. The hour-long musical comedy is based on the immensely popular 1992 book by Jon Scieszka and Lane Smith. Jack tries to save himself from being eaten by the Giant by regaling him with fairy tales, frequently fractured (Cinderumplestiltskin, anyone? Goldilocks and the Three Elephants?). Fairy-tale worlds converge and come to life as the audience goes on a journey into Jack's crazy world.
NEWS
February 6, 2015 | By David Patrick Stearns, Inquirer Music Critic
Symphony orchestras don't typically slot in visits to China in the middle of a busy season. But the Philadelphia Orchestra is in the midst of its Pearl River Delta Residency Week, which slipped into high gear - after more than the usual Chinese cliffhangers - with a performance Wednesday of the choral/orchestral work Ode to Humanity in Macau. "I tell you, the world is getting small," said cellist Udi Bar-David, having recently stepped off a nonstop 15-hour flight from JFK Airport.
ENTERTAINMENT
January 31, 2015 | By David Patrick Stearns, Inquirer Music Critic
In a somewhat unconventional program, Yannick Nézet-Séguin led the Philadelphia Orchestra through the lighter side of Shostakovich - assuming there actually is one. Even when the composer seems to be kidding around, his music hints at something subversive, that the music means much more than it says, and what it says is always dangling out of reach. That's why you want to hear it again. The objects of curiosity Wednesday at the Kimmel Center were Shostakovich's seldom-heard Piano Concerto No. 2 and music for the film The Gadfly - paired with Beethoven's Symphony No. 5 - creating a provocative conclusion to the St. Petersburg Festival that could have been less convincing had performances not been so purposeful.
NEWS
January 31, 2015 | By Peter Dobrin, Inquirer Music Critic
Though the Philadelphia Orchestra has a steep climb ahead in its largest-ever fund-raising campaign effort, several key pieces helping to smooth the path are falling into place. The Philadelphia Orchestra Association has secured the stability of its artistic, administrative, and board leadership - an important checkoff on the list of many foundations and philanthropists. Board chairman Richard B. Worley will stay on another three years, as will president Allison B. Vulgamore. And the orchestra and music director Yannick Nézet-Séguin have committed to another five years together.
ENTERTAINMENT
January 28, 2015 | By David Patrick Stearns, Inquirer Music Critic
Of all the hours of music that will transpire at the Kimmel Center during the Philadelphia Orchestra's 2015-2016 season, the most eagerly anticipated are likely to be the concerts led by James Levine, revered music director of the Metropolitan Opera. Having been personally invited by Philadelphia Orchestra music director Yannick Nézet-Séguin - a regular guest conductor at the Met - Levine will make his first conducting appearance outside of New York City since he returned from a series of back-related surgeries and a two-year hiatus that ended in 2013.
NEWS
January 16, 2015 | By David Patrick Stearns, Inquirer Music Critic
On a subfreezing night with an untested concert format, is it any surprise that the Philadelphia Orchestra's first LiveNote Night, designed to attract new audiences to classical music, was preaching to the semi-converted on Wednesday at the Kimmel Center? The event represented a confluence of past seasons' "Beyond the Score" concerts (earlier, shorter, instructively oriented) and the pop-up performance scheduled spontaneously in 2013 when the orchestra's Carnegie Hall date was canceled by a stagehands strike.
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