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NEWS
January 20, 2014 | By Dan DeLuca, Inquirer Music Critic
Jill Scott remembers the first time she went to the Academy of Music to hear the Philadelphia Orchestra. "It was pretty extraordinary," the R&B and soul diva from North Philadelphia says. "I was maybe 7 or 8. I went with my mom. She didn't tell me where we were going. She just got me into a pretty dress, and we got off the bus. "It was Peter and the Wolf ," recalls Scott, who will headline the orchestra's 157th Anniversary Concert and Ball at the Academy on Saturday. The concert, hosted by Kevin and Michael Bacon, will feature Scott singing with the orchestra, conducted by director Yannick Nézet-Séguin, and with Grammy-winning pianist Robert Glasper.
NEWS
January 19, 2014 | By Peter Dobrin, Inquirer Music Critic
The Philadelphia Orchestra is holding a Tchaikovsky celebration - but how can you tell? The Russian composer figures heavily into every orchestra season, downtown and at the Mann. Still, it is always a good time to dust off forgotten items from the far corners of his catalogue, and the orchestra, in its three-week Tchaikovsky festival, responded by performing, well, none of them. This was presumably conceived as a chance to sell some tickets in a repertoire the ensemble plays very well.
ENTERTAINMENT
January 11, 2014 | By Monica Peters, For The Inquirer
Philadelphia Orchestra presents the interactive music program "Sound All Around," for ages 3 to 5, at the Academy of Music on Saturday and Monday. The interactive program introduces audience members to the viola. Assistant principal viola Kerri Ryan and master storyteller Charlotte Blake Alston will guide kids on a learning musical journey. Kids can hear stories along with music and sing while pretending to play the string instrument. They can get a close look at the viola, nurturing their fascination and curiosity.
NEWS
January 6, 2014 | By A.D. Amorosi, For The Inquirer
When not driving to Philadelphia for his day job (as a Temple professor), or Manhattan for gigs, trumpeter and composer Terell Stafford is musical founder and artistic director of the Jazz Orchestra of Philadelphia (JOP). This orchestral gathering of 17 of this city's best-loved jazz vets and younger players will headline a glittering Tuesday fund-raiser at the Kimmel Center, playing Philly-centric material, with esteemed guests Wynton Marsalis, Jimmy Heath, Kenny Barron, Randy Brecker, Larry McKenna, Bootsie Barnes, and Tony Williams.
NEWS
January 3, 2014 | BY JONATHAN TAKIFF, Daily News Staff Writer takiffj@phillynews.com, 215-854-5960
CHICAGO has a branded, hometown-oriented jazz orchestra. Cleveland and Pittsburgh, too. So why doesn't our town - far richer than most in jazz history, heroes and students - have a rootin', tootin' Philadelphia-labeled ensemble to celebrate our riches, from the hey-days of Coltrane, Gillespie and Getz to the newest kids on the blocks? Come Tuesday, at long last, we will, as the 17-member, brass-heavy Jazz Orchestra of Philadelphia (JOP) makes its debut in gala (and hopefully fundraising)
ENTERTAINMENT
December 25, 2013 | By David Patrick Stearns, Inquirer Music Critic
Even in the most congenial cities, making your way to a Christmas concert can be an ordeal. With distracted shoppers, motorist gridlock, and people feeling neglected and lashing out at random, concerts have an extra medicinal responsibility to be all they can be. The Philadelphia Orchestra's annual Messiah definitely qualified this year, so much so that it's a shame that Sunday's performance at the Kimmel Center wasn't repeated. The Philadelphia Singers Chorale is guaranteed to deliver an exalted "Hallelujah Chorus," but one didn't anticipate associate conductor Cristian Macelaru being such a resourceful Handelian (now considered a specialty)
ENTERTAINMENT
December 17, 2013 | By David Patrick Stearns, Inquirer Music Critic
During the Philadelphia Orchestra 2013 tour of China, associate conductor Cristian Macelaru was asked to take over a rehearsal, and from almost the first notes, the sound palpably changed into something more robust and dark hued. In Friday's Verizon Hall concert, that sound was even more pronounced when Macelaru filled in for canceled guest conductor Pablo Heras-Casado. Not everything in the concert was the work of a finished, mature conductor: In Ravel's Rapsodie espagnole , tempo changes were puzzling.
ENTERTAINMENT
December 3, 2013 | By David Patrick Stearns, Inquirer Music Critic
The all-time record for a long-awaited Philadelphia Orchestra debut by a major composer may well be held by Henry Purcell. Though his opera Dido and Aeneas surfaces periodically, the baroque composer's 1692 The Fairy Queen was heard for the first time here on Friday with an added distinction: None of the musicians had ever played Purcell at all. They had a resourceful tour guide in Richard Egarr, the British harpsichordist who led the...
NEWS
November 10, 2013 | By David Patrick Stearns, Inquirer Music Critic
Pianist Yuja Wang was pretty much canonized by her Kimmel Center audience Thursday, and perhaps not for typical reasons of hot fingers and charismatic glamour. In a promising collaboration with Yannick Nézet-Séguin and the Philadelphia Orchestra, Wang scaled the pianistic Everest that is Rachmaninoff's Piano Concerto No. 3 with a sense of ease that took the music to a particular place that it can rarely go. Having heard Wang grow up before my very ears at the Curtis Institute, I'm convinced she is basically a chamber-music pianist - with a mastery of the keyboard that allows her to bring the same flowing conversational quality to the Rachmaninoff concerto that she had in Beethoven's Violin Sonata No. 10. In Rachmaninoff, the conversation was a high-level one between her and any given phrase, duly transmitted to the audience without the slightest pretense or Scriabinesque neuroses.
NEWS
November 6, 2013 | By Robert Moran, Inquirer Staff Writer
Mayor Nutter, in the midst of a trade mission to the United Kingdom and Israel, announced Monday that the Philadelphia Orchestra will tour Europe in 2015. The orchestra will conclude its tour with two performances in London, Nutter said. The mayor called the orchestra "a vital cultural ambassador for the city, and one that brings tremendous economic development to the city by making the case for doing business in Philadelphia. " Nutter pointed out that the orchestra, with music director Eugene Ormandy, toured Britain in 1949, becoming the first orchestra from America to cross the Atlantic after World War II. The ensemble performed 28 concerts in 27 days in England and Scotland.
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