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NEWS
October 19, 2014 | By Ellen Dunkel, Inquirer Staff Writer
The Pennsylvania Ballet opened its season - and the next chapter in its 51-year existence - Thursday night at the Academy of Music with Press Play: The Directorial Debut of Ángel Corella . It's less than two months since the Spaniard Corella, a former principal dancer with the American Ballet Theatre and an international star, took over as artistic director amid a tsunami of changes at the company. His influence has already made improvements. The program opened with Balanchine's "Allegro Brillante," set to Tchaikovsky.
NEWS
March 1, 2013 | By Peter Dobrin, Inquirer Culture Writer
To ring up the curtain on its 50th-anniversary celebration, Balanchine-centric Pennsylvania Ballet will mount its first complete performance of a major gem in the master's crown: George Balanchine's Jewels . Later in the 2013-14 season, it will premiere new works by important contemporary choreographers Trey McIntyre and Matthew Neenan. In a nod to its own artistic lineage, the company will bring in pieces old (Balanchine's Serenade ) and new, by former artistic directors Christopher d'Amboise and Robert (Ricky)
NEWS
October 15, 1992 | by Janet Anderson, Daily News Dance Critic
The curtain went up last night at the Merriam Theater on the opening performance of the Pennsylvania Ballet's 29th season. This is a fairly significant marker in the company's tempestuous life - or in any performing- arts organization's life. The program itself is a rather odd mixed bill that juxtaposes one terrific abstract George Balanchine work, "Rubies," with a rather dumb Balanchine mood piece, "Scotch Symphony" - a reminder, if needed, that even Balanchine had his bad moments.
NEWS
December 15, 1990 | By Nancy Goldner, Inquirer Dance Critic
The lights flickered. The Christmas tree soared. The snow fell. The bed glided. The Nutcracker battled. The Mouse King died. The children pranced. The adults danced. And Marie never woke from her dream. It's Nutcracker time again. But not all Nutcrackers are the same. The production presented by the Pennsylvania Ballet, which bowed last night at the Academy of Music and will be there through Jan. 6, surely must be the most magical of all. The choreography is by Balanchine, the gentleman who turned Tchaikovsky's once-considered failure into a holiday ritual.
NEWS
October 24, 1991 | By Nancy Goldner, Inquirer Dance Critic
The Pennsylvania Ballet is the beneficiary of two grants in support of its forthcoming programs. The Knight Foundation awarded $300,000 to the Kennedy Center for the Performing Arts in Washington in support of the Pennsylvania Ballet's one-week residency there in October 1993. The Pennsylvania Ballet's appearance at the Kennedy Center is part of the theater's program of commissioning new work from six regional ballet companies. The Pennsylvania Ballet will be the last of six troupes to dance at the Kennedy Center under the program.
NEWS
May 16, 2014 | By Peter Dobrin, Inquirer Culture Writer
Pennsylvania Ballet's administrative leader is leaving. Michael G. Scolamiero, the ballet's executive director since 1997, has accepted the same post with Miami City Ballet. The announcement comes two weeks after artistic director Roy Kaiser said he would step down as soon as a replacement is found. Both changes come as the ballet puts in place a strategic plan prepared by Michael M. Kaiser (not related to Roy) to bring the company, in Scolamiero's words, "back to the top ranks of American ballet companies.
NEWS
July 24, 2014 | By Peter Dobrin, Inquirer Culture Writer
The Pennsylvania Ballet has hired a new artistic director: Ángel Corella, a former principal dancer with American Ballet Theatre. The Spanish-born Corella, 38, whose appointment was approved Tuesday by the board, is slated to start part-time in September, then full-time in January. He succeeds Roy Kaiser, who announced his retirement in April and will step down in October. A ballet spokeswoman said Corella was not available for an interview. Corella, who was born in Madrid, joined ABT in 1995 and was promoted to principal a year later.
NEWS
June 2, 1990 | By Nancy Goldner, Inquirer Dance Critic
Giselle is the most perfect story ballet in existence, because dance and drama are perfectly fused. Hardly is there a moment of choreography that doesn't also further the narrative line. The story itself is also wonderful. About a count's betrayal of an innocent maiden, it touches the heart in a more direct way than the allegorical Tchaikovsky ballets, Swan Lake and Sleeping Beauty. Even the Girl Scouts' ballet battalion could make a go of Giselle, so irresistible is the ballet.
NEWS
March 9, 2014 | By Ellen Dunkel, Inquirer Staff Writer
Pennsylvania Ballet gave an encore of a signature work and added another Balanchine ballet to its repertoire for its opening Thursday night at the Academy of Music. Both were part of the company's yearlong 50th anniversary celebration. Carmina Burana has been in the troupe's repertoire since 1966, when John Butler staged his 1959 work on Pennsylvania Ballet to Carl Orff's secular cantata. In 2007, choreographer-in-residence Matthew Neenan reinterpreted the ballet with new choreography, costumes, and sets.
ENTERTAINMENT
February 19, 1993 | By Nancy Goldner, INQUIRER DANCE CRITIC
Just when you think you have Balanchine in hand, along comes a ballet that is unlike any of his others. The stranger is La Sonnambula, in its Pennsylvania Ballet premiere at the Merriam Theater, where the company is giving a program of three works through Sunday night. La Sonnambula is atypical in that it tells a story and is a period piece rather than a contemporary gloss on the 19th century. Furthermore, it is a ballet of atmosphere, with choreography merely a setting for that atmosphere.
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ARTICLES BY DATE
NEWS
October 19, 2014 | By Ellen Dunkel, Inquirer Staff Writer
The Pennsylvania Ballet opened its season - and the next chapter in its 51-year existence - Thursday night at the Academy of Music with Press Play: The Directorial Debut of Ángel Corella . It's less than two months since the Spaniard Corella, a former principal dancer with the American Ballet Theatre and an international star, took over as artistic director amid a tsunami of changes at the company. His influence has already made improvements. The program opened with Balanchine's "Allegro Brillante," set to Tchaikovsky.
ENTERTAINMENT
October 18, 2014
The Pennsylvania Ballet opened its season Thursday night with many staffing changes - including one big one that slipped by with little mention or fanfare: Zachary Hench retired from dancing. The much-loved former principal dancer was named ballet master in August, along with his wife, Julie Diana , who retired as principal dancer in May. Hench planned to multitask as both dancer and coach. But being ballet master of a company in much transition (including a new artistic director, Ángel Corella )
BUSINESS
October 14, 2014
Pennsylvania Ballet has named the following to its board of trustees: Michael Lillys , director at RBC Capital Markets, Philadelphia; David Schellenberg , CEO of LinguiSearch, Philadelphia, and Danna Vetter , vice president of marketing and consumer insights at Aramark, Philadelphia. Bob Dever , an international business consultant in Philadelphia, has been named treasurer. The Federal Reserve Bank of Philadelphia has named four members to its Economic Advisory Council, which advises the Fed on regional business conditions and economic issues: Madeline Bell , president and chief operating officer of the Children's Hospital of Philadelphia; Varsovia Fernandez , president and CEO of the Greater Philadelphia Hispanic Chamber of Commerce; Maria Rodale , chairman and CEO of Rodale Inc., and Lynn M. Utter , president and chief operating officer of Knoll Office, a unit of Knoll Inc. Sarah L. Bentzel , a regional marketing coordinator with Reed Smith L.L.P., has been selected to serve on the board of the Young Friends of the Historical Society of Pennsylvania . The Pennsylvania Credit Union Association Foundation has named April Dunn to its board.
NEWS
October 13, 2014 | By Nancy G. Heller, For The Inquirer
'Keep your elbows lifted, even when your arms are crossed over your chest - as though you're in a bar, having a drink. " So said the Pennsylvania Ballet's new artistic director, Ángel Corella, as he taught a recent company class in preparation for the dancers' debut under his leadership this week. His unexpected suggestion, whimsical but clear, is typical of his style. It achieved the intended result. For 90 minutes, Madrid-born Corella led 40 dancers in exercises that gave them ample opportunity to display their distinctive bodies and impressive abilities.
NEWS
September 8, 2014 | By Merilyn Jackson, For The Inquirer
At the gala opening of the spectacular new FringeArts building on Columbus Boulevard on Friday night, the air was charged with so much electricity I was glad the place was no longer in use as a pumping station. Though there was no danger of electrocution, the crowd, there to see the Pennsylvania Ballet in new works, could have crushed you. What I Learned About Outer Space , a co-creation of Pennsylvania Ballet, Curtis Institute of Music, and FringeArts, turned out, overall, to have the contrived feeling these sorts of commissioned collaborations often do - not quite shotgun wedding, but more "Let's make this relationship work.
NEWS
August 29, 2014 | By Peter Dobrin, Inquirer Culture Writer
With a single swing of the ax, the new leadership of Pennsylvania Ballet has cleared out the longtime artistic pillars of the company. Jeffrey Gribler is gone. The energetic personification of the company, who arrived in 1975 as an apprentice and quickly worked his way through the corps to become principal dancer and ballet master, was let go after nearly four decades. Tamara Hadley, who joined the same year and was much loved as principal dancer in the major classical roles, has been dismissed as ballet mistress.
NEWS
August 11, 2014 | By Kristin E. Holmes, Inquirer Staff Writer
Having left thriving artistic careers in Cuba, ballet dancers John White and Margarita de Saá landed in a rundown room above a Narberth movie theater. The space, in need of renovation, represented a radical change from the days when the couple danced on the world's biggest stages as part of the National Ballet of Cuba. It was in 1964 that White and de Saá gave up career, family, and, in de Saá's case, country, to flee the Fidel Castro regime. They eventually chose the tiny Montgomery County borough, 2,000 miles from Havana, as the place to start over, opening their ballet school in 1974.
NEWS
July 28, 2014 | By Ellen Dunkel, Inquirer Staff Writer
Philadelphia in the Rockies? "It'll be so beautiful there!" Amy Aldridge says, thinking of dancing with a tall, dark stranger among the pines. Aldridge and nearly every other Philadelphia professional ballet dancer will be dancing outdoors in Colorado this week at the Vail International Dance Festival. The Pennsylvania Ballet and BalletX were invited to perform in one of the season's most prestigious summer dance festivals, which opens Sunday night. "It's sort of our Philadelphia story," says Damian Woetzel, artistic director of the festival and a retired star from the New York City Ballet.
ENTERTAINMENT
July 26, 2014 | By Ellen Dunkel, Inquirer Staff Writer
Philadelphia is loaded with small dance companies, as anyone who has ever been to Fringe knows. These troupes rarely get to perform in fancy theaters, and it takes a lot of motivation for audiences to trek out to dingy performance spaces and sit on uncomfortable folding chairs all night. For the second year, Koresh Dance Company invited its colleagues to perform in the Suzanne Roberts Theatre in the Come Together Dance Festival. Over five days, which began Wednesday night, 24 companies have their 15 or so minutes of fame.
NEWS
July 25, 2014 | By Ellen Dunkel, Inquirer Staff Writer
The Pennsylvania Ballet, once a major national dance company, turned 50 this year and was in need of a makeover. It got an immediate jolt Tuesday when it named Angel Corella its new artistic director, effective in September. Corella, 38, a former principal dancer with the American Ballet Theatre, is an international star who has performed with every major company around the globe. He's modeled for Rolex watches and appeared in ads for champagne with Gwyneth Paltrow. Most recently, he ran his own company, Corella Ballet Castilla y León, which became the Barcelona Ballet but which has since folded.
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