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NEWS
March 1, 2013 | By Peter Dobrin, Inquirer Culture Writer
To ring up the curtain on its 50th-anniversary celebration, Balanchine-centric Pennsylvania Ballet will mount its first complete performance of a major gem in the master's crown: George Balanchine's Jewels . Later in the 2013-14 season, it will premiere new works by important contemporary choreographers Trey McIntyre and Matthew Neenan. In a nod to its own artistic lineage, the company will bring in pieces old (Balanchine's Serenade ) and new, by former artistic directors Christopher d'Amboise and Robert (Ricky)
NEWS
December 15, 1990 | By Nancy Goldner, Inquirer Dance Critic
The lights flickered. The Christmas tree soared. The snow fell. The bed glided. The Nutcracker battled. The Mouse King died. The children pranced. The adults danced. And Marie never woke from her dream. It's Nutcracker time again. But not all Nutcrackers are the same. The production presented by the Pennsylvania Ballet, which bowed last night at the Academy of Music and will be there through Jan. 6, surely must be the most magical of all. The choreography is by Balanchine, the gentleman who turned Tchaikovsky's once-considered failure into a holiday ritual.
NEWS
October 24, 1991 | By Nancy Goldner, Inquirer Dance Critic
The Pennsylvania Ballet is the beneficiary of two grants in support of its forthcoming programs. The Knight Foundation awarded $300,000 to the Kennedy Center for the Performing Arts in Washington in support of the Pennsylvania Ballet's one-week residency there in October 1993. The Pennsylvania Ballet's appearance at the Kennedy Center is part of the theater's program of commissioning new work from six regional ballet companies. The Pennsylvania Ballet will be the last of six troupes to dance at the Kennedy Center under the program.
NEWS
March 9, 2014 | By Ellen Dunkel, Inquirer Staff Writer
Pennsylvania Ballet gave an encore of a signature work and added another Balanchine ballet to its repertoire for its opening Thursday night at the Academy of Music. Both were part of the company's yearlong 50th anniversary celebration. Carmina Burana has been in the troupe's repertoire since 1966, when John Butler staged his 1959 work on Pennsylvania Ballet to Carl Orff's secular cantata. In 2007, choreographer-in-residence Matthew Neenan reinterpreted the ballet with new choreography, costumes, and sets.
NEWS
July 24, 2014 | By Peter Dobrin, Inquirer Culture Writer
The Pennsylvania Ballet has hired a new artistic director: Ángel Corella, a former principal dancer with American Ballet Theatre. The Spanish-born Corella, 38, whose appointment was approved Tuesday by the board, is slated to start part-time in September, then full-time in January. He succeeds Roy Kaiser, who announced his retirement in April and will step down in October. A ballet spokeswoman said Corella was not available for an interview. Corella, who was born in Madrid, joined ABT in 1995 and was promoted to principal a year later.
NEWS
May 16, 2014 | By Peter Dobrin, Inquirer Culture Writer
Pennsylvania Ballet's administrative leader is leaving. Michael G. Scolamiero, the ballet's executive director since 1997, has accepted the same post with Miami City Ballet. The announcement comes two weeks after artistic director Roy Kaiser said he would step down as soon as a replacement is found. Both changes come as the ballet puts in place a strategic plan prepared by Michael M. Kaiser (not related to Roy) to bring the company, in Scolamiero's words, "back to the top ranks of American ballet companies.
NEWS
June 2, 1990 | By Nancy Goldner, Inquirer Dance Critic
Giselle is the most perfect story ballet in existence, because dance and drama are perfectly fused. Hardly is there a moment of choreography that doesn't also further the narrative line. The story itself is also wonderful. About a count's betrayal of an innocent maiden, it touches the heart in a more direct way than the allegorical Tchaikovsky ballets, Swan Lake and Sleeping Beauty. Even the Girl Scouts' ballet battalion could make a go of Giselle, so irresistible is the ballet.
ENTERTAINMENT
February 19, 1993 | By Nancy Goldner, INQUIRER DANCE CRITIC
Just when you think you have Balanchine in hand, along comes a ballet that is unlike any of his others. The stranger is La Sonnambula, in its Pennsylvania Ballet premiere at the Merriam Theater, where the company is giving a program of three works through Sunday night. La Sonnambula is atypical in that it tells a story and is a period piece rather than a contemporary gloss on the 19th century. Furthermore, it is a ballet of atmosphere, with choreography merely a setting for that atmosphere.
ENTERTAINMENT
October 16, 1998 | By Elizabeth Zimmer, FOR THE INQUIRER
The 1841 Giselle, in which the Pennsylvania Ballet displays three different sets of principal dancers performing through Oct. 24 at the Merriam Theater, is often called the quintessential Romantic ballet. Its first act, set in German wine country, has the power to move and involve us more than a century and a half after its creation by the French poet Theophile Gautier and Vernoy de Saint George. Choreographed by Jean Coralli and Jules Perrot to Adolphe Adam's bland but serviceable score (conducted by Pennsylvania Ballet music director Beatrice Jona Affron on opening night)
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ENTERTAINMENT
December 10, 2014 | By Ellen Dunkel, Inquirer Staff Writer
Pennsylvania Ballet has undergone great change in recent months - a new artistic director, new ballet masters, new dancers, and more. One had to wonder: Would the beloved winter classic George Balanchine's The Nutcracker look different too when it opened Saturday at the Academy of Music? The once-a-year balletgoer may not notice the changes, because the Balanchine choreography must be kept as the great choreographer set it 60 years ago, only allowing for alterations he later made or would have approved.
NEWS
December 1, 2014 | By Ellen Dunkel, Inquirer Staff Writer
Ballet or college? Many young dancers ask themselves that question. For Elizabeth Mateer, the matter was even more complicated when she received a job offer from Pennsylvania Ballet 2, the second company, as well as an acceptance to Harvard. Mateer, now 24, chose ballet. Five years later, as a member of the first company's corps de ballet, her decision is paying off in featured roles. In October, she shone in performances of Christopher Wheeldon's Liturgy and Alexei Ratmansky's Jeu de Cartes . Next she'll dance Sugar Plum in some performances of George Balanchine's The Nutcracker , opening Saturday.
NEWS
November 28, 2014 | BY LAUREN McCUTCHEON, Daily News Staff Writer mccutch@phillynews.com, 215-854-5991
NO MATTER how late Thanksgiving is, the winter holidays come quickly every year. And every year, the People Paper has you covered. This year's rundown lays out three dozen Philly-in-December traditions. Some - the Pops, Longwood Christmas, "The Nutcracker,"; all those light shows - you already know, and love. Others - Joybells of Melmark, Christmas Posada, City Hall's new ice rink - you really oughta give a try. Sure, you'll be busy. 'Tis the season.  (Free events have an *)   CITY LIGHTS  Macy's Light Show,* Nov. 28-Dec.
NEWS
October 19, 2014 | By Ellen Dunkel, Inquirer Staff Writer
The Pennsylvania Ballet opened its season - and the next chapter in its 51-year existence - Thursday night at the Academy of Music with Press Play: The Directorial Debut of Ángel Corella . It's less than two months since the Spaniard Corella, a former principal dancer with the American Ballet Theatre and an international star, took over as artistic director amid a tsunami of changes at the company. His influence has already made improvements. The program opened with Balanchine's "Allegro Brillante," set to Tchaikovsky.
ENTERTAINMENT
October 18, 2014
The Pennsylvania Ballet opened its season Thursday night with many staffing changes - including one big one that slipped by with little mention or fanfare: Zachary Hench retired from dancing. The much-loved former principal dancer was named ballet master in August, along with his wife, Julie Diana , who retired as principal dancer in May. Hench planned to multitask as both dancer and coach. But being ballet master of a company in much transition (including a new artistic director, Ángel Corella )
BUSINESS
October 14, 2014
Pennsylvania Ballet has named the following to its board of trustees: Michael Lillys , director at RBC Capital Markets, Philadelphia; David Schellenberg , CEO of LinguiSearch, Philadelphia, and Danna Vetter , vice president of marketing and consumer insights at Aramark, Philadelphia. Bob Dever , an international business consultant in Philadelphia, has been named treasurer. The Federal Reserve Bank of Philadelphia has named four members to its Economic Advisory Council, which advises the Fed on regional business conditions and economic issues: Madeline Bell , president and chief operating officer of the Children's Hospital of Philadelphia; Varsovia Fernandez , president and CEO of the Greater Philadelphia Hispanic Chamber of Commerce; Maria Rodale , chairman and CEO of Rodale Inc., and Lynn M. Utter , president and chief operating officer of Knoll Office, a unit of Knoll Inc. Sarah L. Bentzel , a regional marketing coordinator with Reed Smith L.L.P., has been selected to serve on the board of the Young Friends of the Historical Society of Pennsylvania . The Pennsylvania Credit Union Association Foundation has named April Dunn to its board.
NEWS
October 13, 2014 | By Nancy G. Heller, For The Inquirer
'Keep your elbows lifted, even when your arms are crossed over your chest - as though you're in a bar, having a drink. " So said the Pennsylvania Ballet's new artistic director, Ángel Corella, as he taught a recent company class in preparation for the dancers' debut under his leadership this week. His unexpected suggestion, whimsical but clear, is typical of his style. It achieved the intended result. For 90 minutes, Madrid-born Corella led 40 dancers in exercises that gave them ample opportunity to display their distinctive bodies and impressive abilities.
NEWS
September 8, 2014 | By Merilyn Jackson, For The Inquirer
At the gala opening of the spectacular new FringeArts building on Columbus Boulevard on Friday night, the air was charged with so much electricity I was glad the place was no longer in use as a pumping station. Though there was no danger of electrocution, the crowd, there to see the Pennsylvania Ballet in new works, could have crushed you. What I Learned About Outer Space , a co-creation of Pennsylvania Ballet, Curtis Institute of Music, and FringeArts, turned out, overall, to have the contrived feeling these sorts of commissioned collaborations often do - not quite shotgun wedding, but more "Let's make this relationship work.
NEWS
August 29, 2014 | By Peter Dobrin, Inquirer Culture Writer
With a single swing of the ax, the new leadership of Pennsylvania Ballet has cleared out the longtime artistic pillars of the company. Jeffrey Gribler is gone. The energetic personification of the company, who arrived in 1975 as an apprentice and quickly worked his way through the corps to become principal dancer and ballet master, was let go after nearly four decades. Tamara Hadley, who joined the same year and was much loved as principal dancer in the major classical roles, has been dismissed as ballet mistress.
NEWS
August 11, 2014 | By Kristin E. Holmes, Inquirer Staff Writer
Having left thriving artistic careers in Cuba, ballet dancers John White and Margarita de Saá landed in a rundown room above a Narberth movie theater. The space, in need of renovation, represented a radical change from the days when the couple danced on the world's biggest stages as part of the National Ballet of Cuba. It was in 1964 that White and de Saá gave up career, family, and, in de Saá's case, country, to flee the Fidel Castro regime. They eventually chose the tiny Montgomery County borough, 2,000 miles from Havana, as the place to start over, opening their ballet school in 1974.
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