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July 25, 2014 | By Ellen Dunkel, Inquirer Staff Writer
The Pennsylvania Ballet, once a major national dance company, turned 50 this year and was in need of a makeover. It got an immediate jolt Tuesday when it named Angel Corella its new artistic director, effective in September. Corella, 38, a former principal dancer with the American Ballet Theatre, is an international star who has performed with every major company around the globe. He's modeled for Rolex watches and appeared in ads for champagne with Gwyneth Paltrow. Most recently, he ran his own company, Corella Ballet Castilla y León, which became the Barcelona Ballet but which has since folded.
NEWS
July 24, 2014 | By Peter Dobrin, Inquirer Culture Writer
The Pennsylvania Ballet has hired a new artistic director: Ángel Corella, a former principal dancer with American Ballet Theatre. The Spanish-born Corella, 38, whose appointment was approved Tuesday by the board, is slated to start part-time in September, then full-time in January. He succeeds Roy Kaiser, who announced his retirement in April and will step down in October. A ballet spokeswoman said Corella was not available for an interview. Corella, who was born in Madrid, joined ABT in 1995 and was promoted to principal a year later.
NEWS
March 1, 2013 | By Peter Dobrin, Inquirer Culture Writer
To ring up the curtain on its 50th-anniversary celebration, Balanchine-centric Pennsylvania Ballet will mount its first complete performance of a major gem in the master's crown: George Balanchine's Jewels . Later in the 2013-14 season, it will premiere new works by important contemporary choreographers Trey McIntyre and Matthew Neenan. In a nod to its own artistic lineage, the company will bring in pieces old (Balanchine's Serenade ) and new, by former artistic directors Christopher d'Amboise and Robert (Ricky)
NEWS
October 15, 1992 | by Janet Anderson, Daily News Dance Critic
The curtain went up last night at the Merriam Theater on the opening performance of the Pennsylvania Ballet's 29th season. This is a fairly significant marker in the company's tempestuous life - or in any performing- arts organization's life. The program itself is a rather odd mixed bill that juxtaposes one terrific abstract George Balanchine work, "Rubies," with a rather dumb Balanchine mood piece, "Scotch Symphony" - a reminder, if needed, that even Balanchine had his bad moments.
NEWS
December 15, 1990 | By Nancy Goldner, Inquirer Dance Critic
The lights flickered. The Christmas tree soared. The snow fell. The bed glided. The Nutcracker battled. The Mouse King died. The children pranced. The adults danced. And Marie never woke from her dream. It's Nutcracker time again. But not all Nutcrackers are the same. The production presented by the Pennsylvania Ballet, which bowed last night at the Academy of Music and will be there through Jan. 6, surely must be the most magical of all. The choreography is by Balanchine, the gentleman who turned Tchaikovsky's once-considered failure into a holiday ritual.
NEWS
May 16, 2014 | By Peter Dobrin, Inquirer Culture Writer
Pennsylvania Ballet's administrative leader is leaving. Michael G. Scolamiero, the ballet's executive director since 1997, has accepted the same post with Miami City Ballet. The announcement comes two weeks after artistic director Roy Kaiser said he would step down as soon as a replacement is found. Both changes come as the ballet puts in place a strategic plan prepared by Michael M. Kaiser (not related to Roy) to bring the company, in Scolamiero's words, "back to the top ranks of American ballet companies.
NEWS
October 24, 1991 | By Nancy Goldner, Inquirer Dance Critic
The Pennsylvania Ballet is the beneficiary of two grants in support of its forthcoming programs. The Knight Foundation awarded $300,000 to the Kennedy Center for the Performing Arts in Washington in support of the Pennsylvania Ballet's one-week residency there in October 1993. The Pennsylvania Ballet's appearance at the Kennedy Center is part of the theater's program of commissioning new work from six regional ballet companies. The Pennsylvania Ballet will be the last of six troupes to dance at the Kennedy Center under the program.
NEWS
March 9, 2014 | By Ellen Dunkel, Inquirer Staff Writer
Pennsylvania Ballet gave an encore of a signature work and added another Balanchine ballet to its repertoire for its opening Thursday night at the Academy of Music. Both were part of the company's yearlong 50th anniversary celebration. Carmina Burana has been in the troupe's repertoire since 1966, when John Butler staged his 1959 work on Pennsylvania Ballet to Carl Orff's secular cantata. In 2007, choreographer-in-residence Matthew Neenan reinterpreted the ballet with new choreography, costumes, and sets.
NEWS
June 2, 1990 | By Nancy Goldner, Inquirer Dance Critic
Giselle is the most perfect story ballet in existence, because dance and drama are perfectly fused. Hardly is there a moment of choreography that doesn't also further the narrative line. The story itself is also wonderful. About a count's betrayal of an innocent maiden, it touches the heart in a more direct way than the allegorical Tchaikovsky ballets, Swan Lake and Sleeping Beauty. Even the Girl Scouts' ballet battalion could make a go of Giselle, so irresistible is the ballet.
ENTERTAINMENT
February 19, 1993 | By Nancy Goldner, INQUIRER DANCE CRITIC
Just when you think you have Balanchine in hand, along comes a ballet that is unlike any of his others. The stranger is La Sonnambula, in its Pennsylvania Ballet premiere at the Merriam Theater, where the company is giving a program of three works through Sunday night. La Sonnambula is atypical in that it tells a story and is a period piece rather than a contemporary gloss on the 19th century. Furthermore, it is a ballet of atmosphere, with choreography merely a setting for that atmosphere.
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NEWS
July 28, 2014 | By Ellen Dunkel, Inquirer Staff Writer
Philadelphia in the Rockies? "It'll be so beautiful there!" Amy Aldridge says, thinking of dancing with a tall, dark stranger among the pines. Aldridge and nearly every other Philadelphia professional ballet dancer will be dancing outdoors in Colorado this week at the Vail International Dance Festival. The Pennsylvania Ballet and BalletX were invited to perform in one of the season's most prestigious summer dance festivals, which opens Sunday night. "It's sort of our Philadelphia story," says Damian Woetzel, artistic director of the festival and a retired star from the New York City Ballet.
ENTERTAINMENT
July 26, 2014 | By Ellen Dunkel, Inquirer Staff Writer
Philadelphia is loaded with small dance companies, as anyone who has ever been to Fringe knows. These troupes rarely get to perform in fancy theaters, and it takes a lot of motivation for audiences to trek out to dingy performance spaces and sit on uncomfortable folding chairs all night. For the second year, Koresh Dance Company invited its colleagues to perform in the Suzanne Roberts Theatre in the Come Together Dance Festival. Over five days, which began Wednesday night, 24 companies have their 15 or so minutes of fame.
NEWS
July 25, 2014 | By Ellen Dunkel, Inquirer Staff Writer
The Pennsylvania Ballet, once a major national dance company, turned 50 this year and was in need of a makeover. It got an immediate jolt Tuesday when it named Angel Corella its new artistic director, effective in September. Corella, 38, a former principal dancer with the American Ballet Theatre, is an international star who has performed with every major company around the globe. He's modeled for Rolex watches and appeared in ads for champagne with Gwyneth Paltrow. Most recently, he ran his own company, Corella Ballet Castilla y León, which became the Barcelona Ballet but which has since folded.
NEWS
July 24, 2014 | By Peter Dobrin, Inquirer Culture Writer
The Pennsylvania Ballet has hired a new artistic director: Ángel Corella, a former principal dancer with American Ballet Theatre. The Spanish-born Corella, 38, whose appointment was approved Tuesday by the board, is slated to start part-time in September, then full-time in January. He succeeds Roy Kaiser, who announced his retirement in April and will step down in October. A ballet spokeswoman said Corella was not available for an interview. Corella, who was born in Madrid, joined ABT in 1995 and was promoted to principal a year later.
ENTERTAINMENT
July 9, 2014 | By Nancy G. Heller, For The Inquirer
'We're having so much fun!" Not what you expect to hear from the composer of a new evening-length ballet for which neither the music nor the choreography was complete only two weeks before its world premiere. But, despite long days of hard work and little sleep, New Zealand's Rosie Langabeer seemed utterly sincere, remarkably relaxed, and infectiously enthusiastic when she said this at a late-June open rehearsal of BalletX's Sunset, o639 Hours , opening Wednesday. Inside the Performance Garage on Brandywine Street, while Langabeer rehearsed the musicians, choreographer Matthew Neenan worked with the company's dancers: 10 first-rate artists in shorts, tank tops, and pointe shoes.
NEWS
June 15, 2014 | By Ellen Dunkel, Inquirer Staff Writer
Pennsylvania Ballet closes its 50th anniversary season as a company in transition. Artistic director Roy Kaiser will leave once a new director can be found. Executive director Michael Scolamiero is off to a new job. The ballet's 50th anniversary finale program, which opened Thursday night at the Merriam, is a rather serious celebration, but the dancing - much of it duets set to piano music played by Martha Koeneman - impressed. The cast of dancers has changed more than usual in the last year or two, as well, and presumably will change even more under a new director.
NEWS
June 2, 2014 | BY TOM DI NARDO, For the Daily News
BALLERINAS need vacations, too. (Incredibly well-deserved ones.) But as the big companies wind down their seasons, some innovators break out novel, refreshing programming to tide over us over during the beachgoing months. The Tap-Ballet Project, June 6. Six tap dancers and four ballet dancers, backed by a jazz quartet, thunder out the collaborative work "Meet Us at the Corner," created by Elisabeth Holowchuk (from Suzanne Farrell Ballet) and Dorothy Wasserman (as seen in the movie "Tap")
NEWS
May 16, 2014 | By Peter Dobrin, Inquirer Culture Writer
Pennsylvania Ballet's administrative leader is leaving. Michael G. Scolamiero, the ballet's executive director since 1997, has accepted the same post with Miami City Ballet. The announcement comes two weeks after artistic director Roy Kaiser said he would step down as soon as a replacement is found. Both changes come as the ballet puts in place a strategic plan prepared by Michael M. Kaiser (not related to Roy) to bring the company, in Scolamiero's words, "back to the top ranks of American ballet companies.
NEWS
May 11, 2014 | By Merilyn Jackson, For The Inquirer
Departing artistic director Roy Kaiser, who has brought 90 new works to the Pennsylvania Ballet during his 19-year tenure, brings two more to the Academy of Music stage in this weekend's "Director's Choice. " In the world premiere of choreographer Trey McIntyre's The Accidental , John Hoey's lighting left dark shadows that made it difficult to see the six dancers in Andrea Lauer's drably mottled costumes. Yet, Patrick Watson's kicky Rufus Wainwrightlike songs weren't on the dark side.
NEWS
May 9, 2014 | By Nancy G. Heller, For The Inquirer
'I'm such a nerd," said Julie Diana, a principal dancer with Pennsylvania Ballet, who recently saddened fans by announcing that she would retire after Sunday's performance of the ballet's "Director's Choice" program at the Academy of Music. Nerd is hardly the term that comes to mind. Diana is well known for her portrayals of the quintessentially romantic heroines in Romeo and Juliet and La Sylphide. She is also a versatile and exceptionally intelligent dancer who excels in sizzling, Broadway-style roles (as in Slaughter on Tenth Avenue )
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