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Philadanco

NEWS
April 13, 2006 | By Lisa Kraus FOR THE INQUIRER
It isn't only Philadelphia groups like Philadanco and Group Motion that have celebrated big birthdays lately (both recently turned 35). On Tuesday, the Mark Morris Dance Group, a youthful 25, followed its monthlong New York birthday bash with a concert at Princeton's McCarter Theatre, demonstrating that Morris, the younger lion, is a king of his chosen realm. That would be the profound, age-old connection between music and dance. Morris' dancers don't so much move to music as fuse with it. Phrase for phrase, note for note, they hew to the music's spirit, rhythmic structure and harmonic qualities, playing out ecstasies and darker moods within his fulfilling, complex structures.
NEWS
December 19, 2005 | By Ellen Dunkel FOR THE INQUIRER
There are only so many ways to crack a nut. So, beloved though The Nutcracker may be, it's a relief to have other holiday dance options. Philadanco answered the call last weekend with the entertaining "Xmas Philes" at the Kimmel Center's Perelman Theater. Choreographed in 2000 by Daniel Ezralow, "Philes" is family friendly yet sexy; hip yet set to familiar music; funny; and, unlike many other holiday dance programs, offers a lot of very good dancing. Highlights of the piece include the "12 Daz" section, with dancers in pajamas each adding a dance phrase to the 12 days of Christmas.
ENTERTAINMENT
May 7, 2005 | By Ellen Dunkel FOR THE INQUIRER
A single world premiere on a dance program is usually something to celebrate. The finale of Philadanco's 35th-anniversary season offers three, and all show off the best assets of the Kimmel Center's resident modern-dance company: speed, stamina, beautiful bodies, and mastery of many styles of dance. In the opening number of the performance in the Perelman Theater, Jawole Willa Jo Zollar's Between Earth and Home, eight women strut out dressed as birds. They pose, they fly, they flutter in quick contractions of the arms and abdomen.
NEWS
May 5, 2005 | By Nancy G. Heller FOR THE INQUIRER
It has been the subject of a documentary film and part of an Emmy Award-winning television broadcast; its members have toured extensively in North America, Europe and Asia; and tonight Philadanco will celebrate its 35th birthday by opening a four-day engagement at the Kimmel Center, where it is the sole resident dance troupe. Not bad, for the creation of a West Philadelphia native who grew up as a ballet-obsessed African American in a world that was anything but welcoming to black dancers.
NEWS
March 21, 2005 | By Lisa Kraus FOR THE INQUIRER
What do professional dancers do for fun? Dance some more. Heidi Cruz's stellar cast, mostly "borrowed" from Philadanco and Pennsylvania Ballet, gave their all in her program at the Community Education Center's Meeting House Theater on Friday. In "Atardeser Azul" and "Crossing Waters," Cruz showed off her dancers' great chops and her own facility with African American, Afro-Caribbean, and classical dance idioms. An 11-year veteran of Pennsylvania Ballet, Cruz also danced solo in "Magazine," to poetry performed live.
NEWS
January 25, 2005 | By Merilyn Jackson FOR THE INQUIRER
Sunday afternoon's DanceBoom! program offered a touchstone for the overview of African-influenced dance in Wilma Theater's festival: some straight-up African dance provided by Lisanga Ya Bana Kin, a Philadelphia-based group of mostly Congolese performers. Along with a piece by Philadanco (to be replaced by Odunde on the final weekend) and a stage-shaking outing by Kulu Mele African American Dance Ensemble, this one leaves no question about where it all began. With strong, acerbic harmonies, the six members of Lisanga Ya Bana Kin sang their piece, Gizembe, into life.
ENTERTAINMENT
January 21, 2005 | By Merilyn Jackson FOR THE INQUIRER
If Africa is the origin of human life, it is also the origin of language, art, music and dance. As Philadelphia's most renowned modern and Africanist dance writer and scholar, Brenda Dixon Gottschild, writes in her elegant DanceBoom! catalog essay, "African culture [and its] seeds pervade our daily lives from basketball to ballet and beyond Broadway. "Africanisms are not a choice," she writes, "but an imperative that comes to us the way electricity comes through wires. " With a dozen dance groups, this year's DanceBoom!
NEWS
November 15, 2004 | By Merilyn Jackson FOR THE INQUIRER
The Philadelphia Dance Company, which has come to be called Philadanco the world over, is known for its intensity, speed and large-scale dances. Now celebrating its 35th anniversary and firmly ensconced as the resident dance company at the Kimmel Center's Perelman Theater, the troupe's run there this weekend featured all its hallmarks, plus world- and company-premiere performances. The company has presented choreographer Donald Byrd's 1995 BAMM before, but this was my first viewing.
ENTERTAINMENT
September 12, 2004 | By Merilyn Jackson FOR THE INQUIRER
Dance is sometimes called the stepchild of the arts. Perhaps some perceive it as having too little to do with the mind and too much with the body, unlike literature, music and theater. Recently, dance has made news with setbacks and scandals. The Pew-funded National Initiative to Preserve America's Dance closed. Dancers were fired for being overweight - at as little as 110 pounds. Martha Graham Dance Company, one of America's longest-lived dance troupes, shut down for two years, entangled in a lawsuit.
ENTERTAINMENT
April 3, 2004 | By Miriam Seidel FOR THE INQUIRER
Philadanco artistic director Joan Myers Brown made the company's spring offering a selection of audience favorites. The result, in case you were wondering, is a night packed with exhilarating, near-nonstop movement, danced with the precision and force the company is known for - no downtime here. Thursday night's program opened with two beloved "oldies" dating from the '70s: George Faison's Suite Otis and tasty excerpts from Talley Beatty's Pretty Is Skin Deep, Ugly to the Bone.
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