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Philadelphia Orchestra

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LIVING
June 15, 2001 | By Diane Goldsmith INQUIRER STAFF WRITER
When Ann and Bill Hozack bought it in 1996, Homewoods, their storied Chestnut Hill estate, was in a state of neglect, the gardens terribly overgrown. That they saw beyond the vines is evident in the refurbished grand Norman-style home whose serene backyard is now a frequent site for garden-party benefits. Two have been held there this spring, and tomorrow the Hozacks will host well over 150 guests for the Philadelphia Orchestra's tony "Toys for Big Boys" event. "It's a fabulous house.
NEWS
May 23, 2006 | By TOM DI NARDO For the Daily News
JOSEPH C. LANZA, a Philadelphia Orchestra violinist since 1958, died of pneumonia early Saturday morning. He was 73. "His life was the orchestra," Roslyn, his wife of 53 years said. "He was totally committed and dedicated to music. " On Saturday evening, before the orchestra's final concert of the season, Bach's "Air on a G String" was performed in his honor, and his chair was left empty. Lanza held the title of assistant principal second violinist, and could prominently be seen playing with youthful excitement.
ENTERTAINMENT
September 14, 1986 | By Leonard W. Boasberg, Inquirer Staff Writer
In the months to come, the Delaware Valley's museums, cultural institutions and performing arts groups will be keying many of their activities to the 200th anniversary of the convention that met in this city in the hot summer of 1787 and produced what George Washington later called "that precious depository of American happiness, the Constitution of the United States. " Starting this month and continuing through 1987, there'll be exhibits and historical presentations, plays and parades, conferences and symposiums, lectures and ceremonies, culminating - but not ending - Sept.
ENTERTAINMENT
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Fabio Luisi and Christian Tetzlaff perform Tchaikovsky on Thursday through Saturday at the Kimmel Center. Information: 215-893-1999 or www.philorch.org .
ENTERTAINMENT
February 20, 1993 | By Lesley Valdes, INQUIRER MUSIC CRITIC
Yefim Bronfman was the soloist in Prokofiev's brashly entertaining Third Piano Concerto, whose energies enlivened the Philadelphia Orchestra program, under Charles Dutoit, last night at the Academy of Music. Bronfman, 34, and a frequent visitor to this orchestra, possesses that brilliance of tone and overall alacrity to make the most of its glittering timbres and escalations, while his command of the work's sonorities is impressively virile. There was much to admire in the keyboard's climbing, spiraling passagework - its perpetual fevers that can exhaust a player's busy wrist.
ENTERTAINMENT
October 8, 2013 | By David Patrick Stearns, Inquirer Music Critic
Though the Philadelphia Orchestra enjoys many blue-sky moments these days, Friday's start to the weekend's subscription series had an especially rosy sense of well-earned arrival. Its impromptu concert Wednesday at Verizon Hall that followed the cancellation of its Carnegie Hall opening was a roaring feel-good public relations success. And then on Friday, the orchestra was doing what it does best, with Yannick Nézet-Séguin conducting Mahler's heaven-bound Symphony No. 4 (with many saints populating the final movement)
NEWS
September 22, 1990 | By Lesley Valdes, Inquirer Music Critic
The gala is over, the contract strike was averted, the new music director Wolfgang Sawallisch approved and introduced before the hardly old maestro, Riccardo Muti, returned to start his penultimate season. For the Philadelphia Orchestra, it has been an exhausting week. Understandable, then, that there was a certain back-to-work quality at the Academy of Music last night when the orchestra opened its subscription series. Actually it felt like a tough-love session with Father Muti whisking rather tightly the belt in Prokofiev's Classical Symphony and Tchaikovsky's Fourth, stopping to hug his charges only in a magnetically sensitive reading of the Barber Violin Concerto.
NEWS
December 20, 1986 | By Daniel Webster, Inquirer Music Critic
Folk art frequently produces the image of youth climbing stairs toward maturity, crossing a landing and hobbling down steps toward the grave. That image was much in mind yesterday as Gilbert Levine, in his local debut, led the Philadelphia Orchestra at the Academy of Music. The spirit of the musicmaking reached the landing early and hurried listeners toward a feeling of overwhelming decrepitude. For the first half-hour, the climb was invigorating. Levine led the local premiere of Jacob Druckman's Aureoles, a work which has become a classic while Philadelphia wasn't looking.
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ARTICLES BY DATE
NEWS
August 21, 2016 | By David Patrick Stearns, Classical Music Critic
S ARATOGA SPRINGS, N.Y. - The Saratoga Performing Art Center's 50th anniversary has not bought the Philadelphia Orchestra's summer home any immunity from the elements amid the rugged beauty of Upstate New York. On Aug. 13, during torrential rains, some of the braver musicians showed up for the concert - only to find a man making his way around the parking lot under a large umbrella, exhorting everyone to stay in their cars for their own safety. Orchestra veterans knew to take that seriously.
NEWS
August 11, 2016 | By David Patrick Stearns, MUSIC CRITIC
Temple Painter, 83, who earned the moniker "Mr. Harpsichord of Philadelphia" for his performances with the Philadelphia Orchestra and Chamber Orchestra of Philadelphia, died Saturday, Aug. 6, at Hahnemann Hospital of cancer-related illness. "He was a kind, gentle person with a tremendous musical gift," said his longtime friend and colleague, the composer Harold Boatrite. "He would play a concerto with one group and get in a cab to the next venue to play a different concerto with another group.
ENTERTAINMENT
August 9, 2016 | By David Patrick Stearns, CLASSICAL MUSIC CRITIC
Replacing Andre Watts in a high-profile engagement has long given young pianists a career boost. Watts' Aug. 17 cancellation with the Philadelphia Orchestra at the Saratoga (N.Y.) Performing Arts Center, however, comes with extra gravity: The long-admired 70-year-old pianist has prostate cancer. "It's Andre's wish that we be straight about that," said his manager Linda Marder, whose talent roster at CM Artists includes numerous pianists who are guests of the Philadelphia Orchestra. "Men of a certain age have this problem.
NEWS
July 24, 2016 | By David Patrick Stearns, Classical Music Critic
Like internet-based companies whose central headquarters are little more than a mailing address, classical music ensembles increasingly exist in many places at once. And that raises the question: What makes an ensemble authentically "local"? Are the early-music groups Tempesta di Mare and Piffaro the Renaissance Band less local because some of their regular members don't live here? Is the choral group Seraphic Fire, based in Florida, "local" now that it performs periodically in Philadelphia?
NEWS
July 19, 2016 | Lauren Feiner, Staff Writer
Marsha Bolnick Bacal, 87, a city advocate and former Inquirer employee, died of cancer July 3 at the Penn Hospice at Rittenhouse. Ms. Bacal worked in the Inquirer's promotions department in the 1950s. In 1957, the paper announced her special commendation by the Philadelphia Women in Advertising Exhibition for a booklet on a patrolman hit by a bullet. Later in life, she took on advocacy roles in the city, showing an ongoing passion for Philadelphia and its people. Her family said she pushed for racial integration and drug education in schools in the 1960s and '70s.
NEWS
July 4, 2016 | By Peter Dobrin, Music Critic
One of the nation's top arts consultants says that the Philadelphia Orchestra has accomplished much since exiting bankruptcy - but warns that it has not secured the support necessary to ensure its future. The orchestra is overly dependent on a small number of donors - 78 percent of its philanthropy comes from just 2 percent of its donors - which, according to the report, makes the group vulnerable to a funding crunch if any one of them pulls out. The orchestra's endowment is small compared with those of several peer groups in other cities.
NEWS
July 3, 2016 | By Peter Dobrin, CLASSICAL MUSIC CRITIC
The storm clouds that hopscotched around the city all afternoon shed only their grace - no rain - on the Philadelphia Orchestra on Friday night at Penn's Landing. Earlier rumbles quieted, clearing the air for patriotic - or at least American - tunes played for an avid crowd. Just the stage area attracted an estimated 10,000 to 12,000 listeners, according to a spokeswoman for the Delaware River Waterfront Corp., with more eavesdropping on the free, hour-long concert through speakers in other perches near the river.
NEWS
July 1, 2016
A story Thursday on an ad campaign for the Philadelphia Orchestra wrongly gave the name of the orchestra's executive vice president of institutional advancement, Matthew Loden.
NEWS
July 1, 2016 | By David Patrick Stearns, Inquirer Music Critic
NEW YORK - As you descend the Penn Station escalator to Track 3 for New Jersey Transit, your eyes are ambushed by an ad with a blazing headline: "The man. The myth. The Yannick. " And there he is, Philadelphia Orchestra music director Yannick Nézet-Séguin, in a raspberry pink vest, baton in hand, and head somewhere in heaven. Well, that was fast. Nézet-Séguin was appointed to the Metropolitan Opera only on June 2. But what might seem like a miraculously timed advertising strategy was a happy accident.
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