NEWS
April 6, 2013 | By Bonnie L. Cook, Inquirer Staff Writer
Robert Bauers, 87, of Lower Gwynedd, a commercial photographer in the Philadelphia area for nearly 50 years, died of congestive heart failure Friday, March 29, at the Springhouse Estates retirement community. Mr. Bauers was well-known in commercial photography circles before retiring in the 1990s. He maintained studios near Rittenhouse Square in the 1950s and '60s from which he took pictures for company magazines, ad campaigns, and annual reports. Among his clients was the Bell Telephone Co. In the 1970s and '80s, he worked as a photographer and video specialist at Betz Laboratories, a water-treatment company in Trevose.
NEWS
March 11, 2013
Just when you thought all possible uses for found vintage photographs had been exhausted by artists and photographers in their own work in various clever ways, along come Jennifer Greenburg and Anne Massoni, whose solo shows on the Print Center's second floor bring their personal and disparate visions to the anonymous found vintage image. In "Revising History," Greenberg, a Chicago-based artist, presents a series of black-and-white inkjet prints that show her in everyday scenes that seem to have been shot in the 1950s but are in fact images from found negatives dating from that era into which she has inserted herself, replacing an individual in a picture with an image of herself, dressed and coiffed as a housewife of the time.
NEWS
March 7, 2013 | By A.D. Amorosi, For The Inquirer
There's nowhere to hide. Go to a party, gala, or other event in Philadelphia and it's likely that at least one photographer will want to take your picture - that is, if you don't approach them first. These roving shooters-for-hire hit the floor at events as stately as the Academy Ball or the flower show gala. They fill foodie soirees as sumptuous as the Kimmel Center's StarChefs bash or as silly as the Wing Bowl. They find the funkiest parties - InLiquid's gala at Crane Arts, Jimmy Style's Red Carpet Oscar Party - and snap until their digits are sore.
NEWS
February 7, 2013 | By Vernon Clark, Inquirer Staff Writer
Richard A. Weinberg, 80, of Upper Providence, a dermatologist who practiced in Delaware County for more than 40 years and had a passion for photography, died Sunday, Feb. 3, of cancer at his home. Dr. Weinberg, who opened a medical office on Sproul Road in Springfield in 1964, incorporated his love of photography in his practice. The walls of his waiting room were filled with his photographs. Specializing in nature photography, Dr. Weinberg enjoyed capturing the beauty of the outdoors and often spent hours taking photos at Tyler Arboretum in Media and Ridley Creek State Park in Upper Providence.
NEWS
February 5, 2013
SOME CALL HIM the Gordon Parks of Philly. To others, he's "Mr. Tribune. " Whatever you call Robert Mendelsohn, you'd be hard-pressed to find an African-American-oriented society event in recent years that he hasn't photographed for the Philadelphia Tribune , the Philadelphia Sunday Sun or another one of the papers he shoots for as a freelancer. And he does it all using public transportation. "He goes to places at nighttime that I wouldn't go without a car," laughed Jerry Mondesire, publisher of the Philadelphia Sunday Sun . "The beauty of it is that he gets along with so many kinds of people.
NEWS
February 4, 2013 | By Edward J. Sozanski, Contributing Art Critic
Before there was Photoshop, there was, and still is, Jerry Uelsmann, a photographer who decided early in his career that the pictures he wanted to make existed primarily in his imagination. So after a brief flirtation with straight photography in the 1960s, Uelsmann, now 78, turned to photomontage, combining bits and pieces from other photographs. In the digital age, anyone with a sufficiently powerful computer and the patience to master Photoshop can do what he did manually, in the darkroom, by printing multiple negatives.
NEWS
January 16, 2013 | By Vernon Clark, Inquirer Staff Writer
Stephen Anthony "Tony" Gaye, 65, of Northern Liberties, a commercial and fine-art photographer who had studios in and around Philadelphia for about 30 years, died Thursday, Dec. 13, of a heart attack at his home. Mr. Gaye, who described himself as a "studio still-life photographer," was known for his work for advertisers and his fine-art work in galleries, said Frank Bolling, a longtime friend. "He did the photographs for the most recent Campbell's annual report," Bolling said.
NEWS
December 3, 2012 | By Edith Newhall, For The Inquirer
For years, even as it grew in size, the University of Pennsylvania's photography collection was largely unseen and inaccessible. More than 800 prints languished in portfolio cases on the uppermost shelves in storage until Lynn Marsden-Atlass, a year into her tenure as director and curator of Penn's Arthur Ross Gallery, decided to see what those cases contained. In the fall of 2011, she invited Gabriel Martinez, an artist and senior lecturer in photography in Penn's Department of Fine Arts, to organize an exhibition of some of the collection's notable photographs.
NEWS
December 2, 2012
Ken Regan, a photojournalist whose reputation for discretion earned him a backstage pass to the private realms of rock stars and other celebrities, including Sen. Edward M. Kennedy, died last Sunday in Manhattan. The cause was cancer, his daughter Suzanne Regan said. Mr. Regan was the official photographer for the Rolling Stones on several tours in the 1970s and Kennedy's unofficial personal photographer in the last four decades of his life. He was also the official photographer for Bob Dylan's Rolling Thunder Revue tour in 1975, and the Live Aid concert in 1985.
NEWS
October 28, 2012 | By Edith Newhall, For The Inquirer
As seen in his book, Gomorrah Girl , published by Cross Editions in 2011, Valerio Spada's documentary photographs of adolescents navigating Naples' crime-ridden streets were striking enough to win him Blurb's 2011 Photography Book Now grand prize for best book of the year. As large prints displayed on the walls of the Philadelphia Photo Arts Center, where Spada is exhibiting them for the first time, they're less obviously tied to the book's narrative, which makes them even more powerful.