October 28, 1997 |
Vladimir "Billy" Sokoloff, pianist and senior member of the Curtis Institute faculty, died yesterday morning after a long illness. He was 84. Dr. Sokoloff was known for his artistry as a chamber music player. At the Curtis, he taught many hundreds the finer points of musical partnership. Beginning in his student days, he had partnered with the greats - violinist Efrem Zimbalist, soprano Marcella Sembrich, violist William Primrose and cellist Emanuel Feuermann He counted Philadelphia Orchestra principals as colleagues and chamber partners, including flutist William Kincaid and oboist Marcel Tabuteau.
November 14, 2002 |
Don't look for Norwegian pianist Leif Ove Andsnes at tonight's Philadelphia Orchestra concert at the Kimmel Center for the Performing Arts. Due to illness, he canceled his Thursday-through-Saturday concerts, where he was to perform Bartok's Piano Concerto No. 2. Efforts were made to replace him with the 20-year-old Chinese pianist Yundi Li, who couldn't be released from concert commitments in Paris. However, the Philadelphia Orchestra is close to confirming what will be Li's U.S. orchestral debut, for July 2003 at the Mann Center for the Performing Arts.
December 6, 1994 |
Soprano Benita Valente and pianist Cynthia Raim have been performing Spanish programs on tour, and they extracted four unusual samples from their repertoire for a recital Sunday at the Convention Center. The songs were from Cancionero de Pedrell by Roberto Gerhard, the Swiss- born composer who studied in Barcelona and pulled on Catalonian identity like a sweater. Three of the songs were in Catalan; one was in Spanish, and all featured the composer's approach of enlarging rhythms as the songs develop.
March 31, 2003 |
When it comes to Peter Cincotti, the wunderkind who played Penn's Annenberg Hall with his quartet Saturday night, the biggest question is this: Can we believe the hype? The answer: Yes and no. The easy answer would be to say that Cincotti is everything we've been led to believe by the latter-day Tin Pan Alley publicity machine. Yes, he is, as a musician, mature beyond his years. He is a maddeningly exacting pianist, a true pro and craftsman who has mastered the styles of those who preceded him. As a vocalist, he is far less seasoned.
May 24, 1994 |
A lot of hype surrounded pianist Sandrine Erdely-Sayo's American premiere of Juan-Carlos Sedero's Lyrical Suite on Sunday at the Ethical Society. Most of it was unjustified. The French-born Erdely-Sayo, who in 1990 came to Philadelphia to study at the University of the Arts, was one of several pianists who received the Argentine composer's seven-section score. The taped performance she sent back to the composer so impressed him that he chose her to give the world premiere last summer in France.
February 14, 1995 |
In classical music, where a strong-willed personality is an asset, students don't always resemble their teachers in any discernible way. But in the case of Cecile Licad, the apple didn't fall very far from the tree. Licad's recital Sunday clearly revealed the influence of one of her three teachers at the Curtis Institute of Music, Rudolf Serkin. (Mieczyslaw Horszowski and Seymour Lipkin were the other two). Serkin's presence was especially apparent in Mozart's Fantasia (K. 475)
March 18, 1998 |
Traditions thrive in Philadelphia, traditions such as the Academy Morning Musicales, a series created in 1905 by the enterprising members of the West Philadelphia Women's Committee of the Philadelphia Orchestra. At 93, it's still flourishing. Yesterday, a piano recital by Rieko Aizawa brought the 1997-98 series to a close. A capacity crowd demonstrated palpable enthusiasm. The pianist, a Curtis grad, is 23. She recently made her New York debut and soon heads for the St. Louis Symphony for a concerto.
July 24, 1992 |
Orchestral color was everything in the early years of this century, and the French - or French-inspired - came from the subtlest palettes. That was the message of the Philadelphia Orchestra's concert Wednesday at the Mann Music Center. Artistic director Charles Dutoit has made this final week of the season an essay on French orchestral invention and influence, and in his concert Wednesday shaped what was one of the most interesting programs of the season. With Spanish pianist Alicia de Larrocha as soloist, Dutoit made half a concert from Turina's Rhapsodia sinfonica and Falla's Noches en los jardines de Espana, and completed the essay by playing all of Ravel's Daphnis et Chloe ballet.
May 1, 1987 |
The extraordinary Roman pianist Fermo Roscigno drew repeated bravos from a capacity crowd at the Ethical Society last night. Roscigno, in his first Philadelphia appearance, was sponsored by the Consulate General of Italy and the America-Italy Society of Philadelphia. A dull-looking, all-19th-century program came to vivid life at his hands, starting with an unpromising Clementi sonata. Listeners sat up right away: Clementi, it seemed, was a better composer than we thought. As his Op. 26, No. 2 proceeded, it became clear that Roscino's strong dynamic contrasts and boldly outlined phrases had much to do with Clementi's unwonted shine.
October 15, 1990 |
The second week of the ongoing Swarthmore Music and Dance Festival concluded yesterday with an afternoon recital by Cynthia Raim. The beauty of the autumn foliage, which one could view from the spectacular rear-stage window of Lang Concert Hall, likely discouraged attendance indoors. Only 200 of Lang's 600 seats appeared filled, but Raim was fortunate that her audience (which, sensitively, grouped itself in one seating area) was discriminating and attentive. This was as it should be, since Raim is a discriminating pianist, polished on every level of her art. Within an arsenal of poise and power lie strong ideas and intelligent perceptions.