CollectionsPiano
IN THE NEWS

Piano

FEATURED ARTICLES
NEWS
May 6, 1991 | By Peter Dobrin, Special to The Inquirer
The Eaken Piano Trio brought two fascinating yet incomplete works to the Fleisher Art Memorial yesterday afternoon. The first, a movement from Rebecca Clarke's Trio for Violin, Cello and Piano, we can only hope was a kind of tease for another concert - when the musicians will play the entire work. The second, by Philadelphia composer Margaret Garwood, was commissioned last year by the trio and has yet to be finished. For the first two movements of her Hommages, Garwood chose to pay tribute to composers Olivier Messiaen and Alberto Ginastera.
NEWS
November 14, 1988 | By Charles McCurdy, Special to the Inquirer
Beethoven's Sonata in A major (Op. 47), known as the Kreutzer sonata, a looming presence in the Highlands Duo repertoire, was the peak at the end of the trail at a recital on Saturday at the Germantown branch of the Settlement Music School. The violinist and pianist, however, made their most dramatic musical statements earlier. Violinist Kate Ransom and pianist Anthony Sirianni billed the concert as a Carnegie Hall preview. Their debut is set for Feb. 4. Ransom and Sirianni met in 1984 at the Highlands Chamber Music Festival in North Carolina (hence the name)
ENTERTAINMENT
October 22, 1992 | By Faith Quintavell, FOR THE INQUIRER
Tori Amos is a lucky woman. Many talented pop singer-songwriters and pianists never work with a band or producer who can assist in creating an album as dynamic and chilling as Amos' Little Earthquakes (Atlantic), released last year. Amos also found a director capable of producing a music video that grabbed four nominations at this year's MTV awards. Tuesday's concert at the Keswick Theater in Glenside, the first of two sold-out nights that featured only Amos and her piano, made it evident how important those people were in launching her career.
NEWS
November 28, 1989 | By Tom Moon, Inquirer Popular-Music Critic
After a tender, Chet Baker-influenced reading of "Where or When" in which his ruminative vocals were supported by appropriately shaded piano chords, Harry Connick Jr. told Sunday's near-capacity crowd at the Academy of Music that he didn't fully consider the song's lyric until his 38th attempt to record it for the When Harry Met Sally . . . soundtrack. This may have seemed an endearing confession to the majority of the crowd, which was wild about 22-year-old Harry - his Armani suit, his suave patter, his Sinatra affectations, his piano theatrics, his boyish New Orleans charm.
NEWS
September 27, 1996 | by Al Hunter Jr., Daily News Staff Writer
JAVON JACKSON QUARTET. Blue Moon Jazz Cafe and Restaurant, The Bourse Building, 4th Street between Market and Chestnut. 7:30 and 10 p.m. Sunday. Tickets: $20. Info: 215-413-2272. As the tide of young neo-traditional jazz saxophonists ebbs, those left ashore face a problem: How to grow musically, yet be unique among the dozens of sax players out there. Javon Jackson is at this stage, and the 30-year-old with the unadorned style has selected a piano-less quartet as the vehicle with which to experiment.
NEWS
October 14, 2003 | By David Patrick Stearns INQUIRER MUSIC CRITIC
Though not rare, Christoph Eschenbach's returns to the keyboard - his first career - are infrequent and special occasions indeed. On piano, he practices his art under circumstances more circumscribed than when conducting, and with a bristling brinksmanship inherent to challenging repertoire prepared in an inevitably limited time between conducting assignments. The young Eschenbach triumphed with intimidating repertoire, but the pianist-turned-conductor took on a piece that was in some ways as difficult on Sunday in a Philadelphia Orchestra Chamber Music concert.
NEWS
January 25, 1992 | By Lesley Valdes, INQUIRER MUSIC CRITIC
Violinists - but few others - know the Camille Saint Saens Sonata No. 1 in D minor (Op. 75) - a handsome structure, whose flamboyance is supported by technical terrors. Jascha Heifetz made it one of his many signature pieces, and his interpretation is as good a reason as any that it is so seldom heard on the concert stage. After his Olympian perfectionism, who would dare? Cho-Liang Lin dared Thursday night at the Port of History Museum during a duo recital with pianist Andre-Michel Schub presented by the Philadelphia Chamber Music Society.
ENTERTAINMENT
April 23, 1994 | By Kevin L. Carter, INQUIRER STAFF WRITER
Danilo Perez makes his own opportunities. Playing Thursday evening at the Meiji-En restaurant, the pianist surprised his audience by adding an extra beat to the five-note, two-measure clave rhythm at the heart of most Afro-Latin music. Such heresy! Compositions that use 5/4 time signatures are more common in Bulgaria than Latin America. But Perez, who employed the device on "The Voyage," sees that fifth beat as a way to create even more permutations in his rhythmic explorations.
NEWS
April 24, 2004 | By David Iams FOR THE INQUIRER
Beginning with three sales today, auctions over the next few days will offer rich opportunities to bid on dolls, glassware, Bucks County arts and crafts, and a miniature piano that once belonged to comedian Jimmy Durante. The piano, a so-called Tom Thumb, will be offered by Bonnie Brae Auction at one of today's sales, starting at 8:30 a.m. at the gallery on Route 724 in Spring City. It originally was in Palumbo's, the South Philadelphia restaurant that once was as famous as Durante himself until it was destroyed by fire a decade ago. Auctioneer Dana Knowlton expects it to sell for $4,500 on account of its provenance.
NEWS
August 26, 1988 | By NELS NELSON, Daily News Staff Writer
Lou Stein played piano in Billy Krechmer's house band for six or eight months bridging the years 1940-1941. He was 18 or 19 at the time and full of the urgent priorities of youth. He was a hard swinger in the rhythmic sense, long on intuition and flexibility, very insightful about the music of the day. Now, from the far reaches of nearly five decades, Lou Stein considers his fleeting apprenticeship in Krechmer's claustrophobic gin mill at 1627 Ranstead St. a period of great value to his musical development.
1 | 2 | 3 | 4 | 5 | Next »
ARTICLES BY DATE
NEWS
May 5, 2015 | BY JOHN F. MORRISON, Daily News Staff Writer morrisj@phillynews.com, 215-854-5573
IF YOU NEEDED musical entertainment for a special event, Anthony White would have been your man. Anthony was a child prodigy on the piano, and in later years he was in demand everywhere, from funeral homes to churches to the performance halls where he opened for some of Philly's outstanding musicians. "Anthony was always willing to play for any event you asked," his family said. Anthony Rayvon White, who formerly worked for the Pennsylvania Unemployment Office and the University of Pennsylvania Science Center, a king of the barbecue grill who loved to entertain, died April 23 after a brief illness.
NEWS
May 3, 2015 | By Jim Rutter, For The Inquirer
The sheer number of songs in I Love a Piano wouldn't surprise an Irving Berlin scholar - but their power and number astounded in Ray Roderick and Michael Berkeley's musical tribute. More than 50 selections from Berlin's songbook fill the delightful 95-minute production at the Walnut Street Independence Studio on 3. With a cast led by Ellie Mooney and Owen Pelesh, these songs soared, charmed with their winsomeness, and reminded listeners - with a nostalgic sense of loss - of the age in which Berlin wrote the lyrics and music for most of his greatest hits.
ENTERTAINMENT
April 25, 2015 | By Inga Saffron, Inquirer Architecture Critic
NEW YORK - The public may go gaga for the museum designs of Frank Gehry, but museum directors prefer Renzo Piano, the Italian minimalist who just completed an expansive new home for the Whitney Museum of American Art overlooking the High Line. Since partnering with Richard Rogers in the '70s on the crayon-colored Pompidou Center in Paris, Piano's firm has gone on to create well over two dozen art museums. In America, the notches on his belt include major designs in Chicago, Los Angeles, Boston, Atlanta, Dallas, Houston, and Fort Worth, Texas.
NEWS
March 25, 2015 | By Peter Dobrin, Inquirer Music Critic
Harvey D. Wedeen, 87, of Center City, chairman of the keyboard department at Temple University's Boyer College of Music and Dance for nearly five decades and a force behind starting many of the school's degree programs, died Friday, March 13, at home. Mr. Wedeen became a faculty member at Temple in 1964, and was director of the well-regarded Temple University Music Institute at Ambler from 1971 to 1975 and the music festival's artistic director in 1974 and 1975. He helped establish the school's doctoral program in performance; the master's program in accompanying and chamber music; master's programs in piano performance and pedagogy; the Center City Temple Prep; and a program to bring free music lessons to local children.
NEWS
March 15, 2015 | By A.D. Amorosi, For The Inquirer
At 21 years of age, Ariana Grande - a four-octave light lyric soprano dubbed the "mini-Mariah" - has the world on a string, a notion she blithely, but solidly, embraced while singing and dancing in front of a sold-out crowd at the Wells Fargo Center on Thursday. Grande is a Broadway veteran and has long been a staple of Nickelodeon children's television as Cat Valentine, an adored character in two different series inspiring her young girl fans (and their mothers) to wear lit-up cat ears, just as she does on stage.
ENTERTAINMENT
February 28, 2015 | By A.D. Amorosi, For The Inquirer
Pianist Marcus Roberts is known for many things: a genius skill that makes him the logical successor to Thelonious Monk's wild style (with a lot of Fats Waller in his stride), an immense love of the blues, technological innovations in regard to composing for the blind, and a soulful sense of tradition and invention. Roberts is also renowned for developing a philosophy in which, in a trio setting, the bass and drums are equal to his piano. Drummer Jason Marsalis and bassist Rodney Jordan are featured equally with the bandleader and are just as liable to set the temperature and mood of a particular performance as is the pianist.
NEWS
February 7, 2015 | By Peter Dobrin, Inquirer Music Critic
Most siblings look back on a childhood of pick-up football games and getting into scrapes together. Ashley, Daniel, and Andrew Hsu, on the other hand, may remember the time they played Beethoven's last three piano sonatas on a single program while still students at the Curtis Institute of Music. That time was Wednesday night in Field Concert Hall. They could have chosen a strand of Beethoven bagatelles, or taken turns with the Goldberg Variations, if the only point had been to play up the familial connection.
NEWS
November 21, 2014 | By David Patrick Stearns, Inquirer Music Critic
In the lofty trilogy that is Beethoven's last three piano sonatas - Opus 109, 110, and 111 - each feels like a continuation of the last, into ever more uncharted musical realms. They'll never feel like home: Their strangeness is so specific to the inner world of a composer who had withdrawn into deafness and, in any case, was among history's most singular human beings. So it's understandable that at Wednesday's performance of all three sonatas in one program, the Philadelphia Chamber Music Society audience was puzzling over pianist Beth Levin.
NEWS
November 19, 2014 | By Amy S. Rosenberg, Inquirer Staff Writer
ATLANTIC CITY - Superior Court Judge Julio Mendez ruled Monday against Charlie Birnbaum, a piano tuner fighting to keep his family home near the former Revel casino from being seized by the state casino redevelopment authority. In a 27-page opinion issued Monday evening, Mendez said the state's enactment of the Tourism District Act is "the legislative declaration of a legitimate public purpose" that would justify the seizure of property by eminent domain. "The fundamental public purpose contained in this legislation is to promote tourism, to create and protect jobs in Atlantic City, and to assist the ailing gaming industry," Mendez wrote.
NEWS
October 3, 2014 | BY JOHN F. MORRISON, Daily News Staff Writer morrisj@phillynews.com, 215-854-5573
JUDY Spitzer suffered through two great upheavals in her life, one caused by human venality and the other by nature. As a teenager, she was caught up in the Holocaust, but managed through guts and ingenuity to escape the Nazis, who murdered her father and other family members. Then, 70 years later, Hurricane Katrina drove her and her husband out of New Orleans, where they were teaching at a medical school. Finally settling in the relative peace of the Philadelphia area, Judy could look back on a life of accomplishment realized in the toils of catastrophes that might have wrecked less fearless souls.
1 | 2 | 3 | 4 | 5 | Next »
|
|
|
|
|