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Riverdance

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ENTERTAINMENT
May 9, 2012 | By Mark Kennedy, ASSOCIATED PRESS
NEW YORK — When Julian Erskine last saw the American touring company of Riverdance, he had to smile. He was in the Segerstrom Center for the Arts on an October night in Costa Mesa, Calif., watching the high-stepping cast electrify the crowd once again despite more than a dozen years crisscrossing the nation. "To be at the back of a hall with the audience jumping to their feet at the end of the show after all these years, it's just so gratifying and just so pleasing," says Erskine, the show's senior executive producer, by phone from Dublin.
NEWS
May 14, 2012 | By Nancy G. Heller, FOR THE INQUIRER
It has to be said: Much of Riverdance is profoundly dumb. This is not the fault of the performers — appealing, energetic, and superbly trained dancers, singers, and musicians who, on Friday night, inaugurated the local leg of their "farewell tour" at the Merriam Theater. Rather, it is because composer Bill Whelan, producer Moya Doherty, and director John McColgan have tried to tie together a group of unrelated numbers through an incoherent "theme" (something about sun worship and immigration)
ENTERTAINMENT
September 11, 1998 | By Karen Heller, INQUIRER STAFF WRITER
There's no difficulty understanding why Riverdance - The Show, which runs through Sept. 20 at the Mann, is also Riverdance, the phenomenon. The performance features an enormous cast of uniformly accomplished, young and preternaturally attractive dancers. This company of 100, one of three circling the globe for the last 2 1/2 years, helps explain why Irish unemployment has plummeted. It is more difficult, though, to actually understand Riverdance, a perplexing pastiche of New Age thinking, confounding music and an unfathomable story line that hops over time and the globe, managing to include a Russian folk ballet troupe, one flamenco dancer, and a stunning trio of African American tap dancers who almost steal the show.
NEWS
May 17, 2007 | By Lisa Kraus FOR THE INQUIRER
If you have a teenage Celtic-culture fanatic at home who seeks out Irish dance and music on YouTube, and anywhere else she can find it, you'll know that Riverdance, now at the Academy of Music, has gone through several incarnations, touring the world for 12 years to rapturous acclaim. Its squadrons of ultraprecise championship dancers, with their Olympian ability to execute umpteen taps a second in hard-shoe jigs, captivate with their life-affirming vigor. Through slides, song lyrics, and spoken narrative, Riverdance tells of the Irish connection to land and sea and the challenges of emigration.
ENTERTAINMENT
November 28, 1997 | By Tom Infield, INQUIRER STAFF WRITER
Literarily speaking, the Philadelphia region will become the place to be during December. For a fortnight, two overlapping literary festivals will draw some of the biggest names in books (and other arts) to the area - Center City, the western suburbs and South Jersey. The fourth annual Greater Philadelphia Jewish Book Festival, scheduled for Dec. 7 to 14, will feature appearances by well-known authors at five Jewish community centers. Speakers will include Harvard law professor Alan Dershowitz (7:30 p.m. Dec. 7, Gershman Y, Broad and Pine Streets; 215-545-4400, Ext. 219)
NEWS
September 20, 2013 | By Merilyn Jackson, For The Inquirer
What on earth could the River Nile and Riverdance have in common? They are the sources for two vastly different dance works opening Thursday as part of the Fringe Festival's final weekend. While both flow from traditional dance cultures, their choreographers, Reggie Wilson and Colin Dunne, reroute their Africanist and Irish disciplines into contemporary dance idioms. New York's Reggie Wilson/Fist & Heel Performance Group opens at the Suzanne Roberts Theatre with the world premiere of his Moses(es)
ENTERTAINMENT
August 12, 1997 | By Lesley Valdes, INQUIRER STAFF WRITER
Michael Flatley is winsome during an interview. When he's not exposing the gleaming, dripping chest familiar to viewers of Lord of the Dance, the guy's vibes are sweet. He's better-looking in person than on the video, too. Back in Chicago, where Flatley grew up, some say the phenom dancer has always favored shirts open to the belly button. But backstage at the McNichols Sports Arena, an hour before curtain rises, Flatley's totally buttoned in blue-denim shirt and jeans topped by a ho-hum beige jacket.
ENTERTAINMENT
March 23, 1998 | By Merilyn Jackson, FOR THE INQUIRER
In Junk, a program of 16 discrete dance pieces performed Thursday through last night at the Arts Bank, Brian Sanders and his three dancers used detritus that the choreographer found in dumpsters as props. The one- to 10-minute gems evoked hilarity, mystery and phantasmagoria. And from the audience, at least on Saturday, they evoked a standing ovation. In the show-opening Bird Alone, Sanders employed a bungee-cord hammock, contorting it into a womb, chrysalis, and safety net through dazzling birdlike swoops.
NEWS
July 28, 2013 | By A.D. Amorosi, For The Inquirer
It takes a strong, confident artist to name an entire tour after her role as the wife of another outsize superstar. Such is the marriage of Beyoncé Knowles to (the newly unhyphenated) hip-hop enterprise and mogul Jay Z, also known as Shawn Carter. Though she came to Philadelphia with something named "The Mrs. Carter Show World Tour," make no mistake - the razzle-dazzle performance that sold out the Wells Fargo Center on Thursday was all Bey. (She'll return on Labor Day weekend as a headliner in the Budweiser Made in America festival.)
ENTERTAINMENT
February 18, 2008 | By BENAE MOSBY, mosbyb@phillynews.com 215-854-5444
TO EXPERIENCE "African Footprint" is to take a voyage to South Africa and back - without ever leaving your seat. Defined by a fantastic combination of sweeping movements and thumping rhythms, the musical's energetic cast of drummers and dancers can turn any performance venue into the villages, plains and cities of South Africa. Directed by South African performer/producer Richard Loring, "African Footprint" premiered in 1999 and played for more than two years in South Africa, making it the longest-running production in that country's history.
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NEWS
September 20, 2013 | By Merilyn Jackson, For The Inquirer
What on earth could the River Nile and Riverdance have in common? They are the sources for two vastly different dance works opening Thursday as part of the Fringe Festival's final weekend. While both flow from traditional dance cultures, their choreographers, Reggie Wilson and Colin Dunne, reroute their Africanist and Irish disciplines into contemporary dance idioms. New York's Reggie Wilson/Fist & Heel Performance Group opens at the Suzanne Roberts Theatre with the world premiere of his Moses(es)
NEWS
September 6, 2013 | BY CHUCK DARROW, Daily News Staff Writer darrowc@phillynews.com, 215-313-3134
THE 17th annual Fringe Festival (formerly Live Arts Festival/Philly Fringe) kicked off yesterday with an expanded schedule as well as a new name. For the next 17 days, dozens of venues will be filled with drama, comedy, music, dance, circus arts and multimedia presentations that stretch the concept of "theater" well beyond its normal parameters. (Let's just say that "Grease" is not in the mix.) While the festival has made the transformation from, well, a fringe event to a key piece of Philly's cultural landscape, its whys and wherefores still may be unknown - or, at least, misunderstood - by many.
NEWS
July 28, 2013 | By A.D. Amorosi, For The Inquirer
It takes a strong, confident artist to name an entire tour after her role as the wife of another outsize superstar. Such is the marriage of Beyoncé Knowles to (the newly unhyphenated) hip-hop enterprise and mogul Jay Z, also known as Shawn Carter. Though she came to Philadelphia with something named "The Mrs. Carter Show World Tour," make no mistake - the razzle-dazzle performance that sold out the Wells Fargo Center on Thursday was all Bey. (She'll return on Labor Day weekend as a headliner in the Budweiser Made in America festival.)
NEWS
May 14, 2012 | By Nancy G. Heller, FOR THE INQUIRER
It has to be said: Much of Riverdance is profoundly dumb. This is not the fault of the performers — appealing, energetic, and superbly trained dancers, singers, and musicians who, on Friday night, inaugurated the local leg of their "farewell tour" at the Merriam Theater. Rather, it is because composer Bill Whelan, producer Moya Doherty, and director John McColgan have tried to tie together a group of unrelated numbers through an incoherent "theme" (something about sun worship and immigration)
ENTERTAINMENT
May 9, 2012 | By Mark Kennedy, ASSOCIATED PRESS
NEW YORK — When Julian Erskine last saw the American touring company of Riverdance, he had to smile. He was in the Segerstrom Center for the Arts on an October night in Costa Mesa, Calif., watching the high-stepping cast electrify the crowd once again despite more than a dozen years crisscrossing the nation. "To be at the back of a hall with the audience jumping to their feet at the end of the show after all these years, it's just so gratifying and just so pleasing," says Erskine, the show's senior executive producer, by phone from Dublin.
NEWS
April 2, 2009 | By Ellen Dunkel FOR THE INQUIRER
More than a dozen years ago, before anyone ballroom-danced with the stars, Riverdance was telling people that dancing could be cool. And Riverdance went mainstream with an unlikely dance form, too - Irish step dancing, which previously had been performed mostly competitively or as a folk dance. Spun off from a seven-minute intermission routine choreographed for the 1994 Eurovision Song Contest, Riverdance opened in 1995 in Dublin. Soon more step- and tap-dancing tours followed - Lord of the Dance, Feet of Flames, Tap Dogs, Stomp.
ENTERTAINMENT
February 29, 2008 | By Nancy G. Heller FOR THE INQUIRER
People call it "the Riverdance of South Africa," and with good reason. Like that ubiquitous Celtic powerhouse, Richard Loring's African Footprint features a large cast of hyper-energetic, attractive, impressively trained young dancers, singers and instrumentalists whose musical revue reportedly has been seen by more than 250 million people since it launched eight years ago. Footprint has become South Africa's longest-running show and has traveled...
ENTERTAINMENT
February 18, 2008 | By BENAE MOSBY, mosbyb@phillynews.com 215-854-5444
TO EXPERIENCE "African Footprint" is to take a voyage to South Africa and back - without ever leaving your seat. Defined by a fantastic combination of sweeping movements and thumping rhythms, the musical's energetic cast of drummers and dancers can turn any performance venue into the villages, plains and cities of South Africa. Directed by South African performer/producer Richard Loring, "African Footprint" premiered in 1999 and played for more than two years in South Africa, making it the longest-running production in that country's history.
NEWS
May 17, 2007 | By Lisa Kraus FOR THE INQUIRER
If you have a teenage Celtic-culture fanatic at home who seeks out Irish dance and music on YouTube, and anywhere else she can find it, you'll know that Riverdance, now at the Academy of Music, has gone through several incarnations, touring the world for 12 years to rapturous acclaim. Its squadrons of ultraprecise championship dancers, with their Olympian ability to execute umpteen taps a second in hard-shoe jigs, captivate with their life-affirming vigor. Through slides, song lyrics, and spoken narrative, Riverdance tells of the Irish connection to land and sea and the challenges of emigration.
NEWS
March 4, 2007 | By Walter F. Naedele INQUIRER STAFF WRITER
Ger Reidy had a word for those closing up the Philadelphia Flower Show next Sunday. "Leftovers will be gratefully received," she said with a laugh, so she might mail plantings back to her home in the Dublin suburb of Castleknock. Yesterday, Reidy was working hard enough to deserve them. She was the lead dancer in an energetic 14-member Irish troupe whose music and dance dominated the Flower Show at the afternoon preview for members of its producer, the Pennsylvania Horticultural Society.
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