February 21, 2014 |
IT WAS JUST like Jack Thompson to think of plucking a hair from the tail of a tiger. Well, he didn't pluck it himself. He got a keeper at the Philadelphia Zoo to do the plucking by holding a piece of meat in one hand and grabbing the hair with the other. "It was a great thing," said Jack's wife, Mary Pat Timony. "He was jumping up and down. " What, you might well ask, did Jack Thompson want with the hair of a tiger? He was working as the advertising manager for a company called Nuclide Industries, which made mass spectrometers - used to "determine the elemental signature of a sample," as it is described - like the hair of a tiger.
February 7, 2014
In a story Thursday on "Monument Men," the name of sculptor Walker K. Hancock was misspelled.
October 14, 2013 |
A memorial will be held Saturday, Oct. 19, for John A. Whereat, 55, a longtime Philadelphia sculptor, who died Saturday, Aug. 31, of heart failure at his home in Roxborough. The memorial is planned for 10 a.m. at the Radnor Friends Meeting House, Conestoga and Sproul Roads, his family announced last week. Born in Philadelphia and raised in Narberth, Mr. Whereat earned a bachelor's degree and, later, a master's degree in fine arts from the University of Pennsylvania. The bulk of his work, done in a garage on Spring Lane, is in private collections along the East Coast.
August 8, 2013 |
JOE FRAZIER'S left hook, the one that floored Muhammad Ali in their "Fight of the Century" in Madison Square Garden in 1971, could be preserved for all time if and when a statue of the Philly boxing legend will be completed. The fate of that memorial was left frozen with the death July 30 of Lawrence J. Nowlan Jr., the world-renowned sculptor who had started working on it. The Philadelphia-born Nowlan had completed a mock-up of the bronze statue, which he planned to be 8 feet tall and weigh 800 pounds, when he died of heart disease at his home in Cornish, N.H. He was 48. Mayor Nutter said the city will proceed with plans for a statue of Philly's most revered boxer, but how that will be accomplished is uncertain.
August 7, 2013 |
The city will proceed with plans for a statue honoring boxing legend Joe Frazier despite the death of the statue's sculptor, Mayor Nutter said Monday. Lawrence J. Nowlan, 48, who was commissioned by a city panel in April to create the statue, died last Tuesday at his home in New Hampshire. Nutter said the panel would evaluate other submissions before deciding on a new sculptor. At the time of his death, Nowlan had not received final approval from the Philadelphia Arts Commission but had completed a mock-up of the final statue.
August 7, 2013 |
Lawrence Joseph Nowlan Jr., 48, formerly of Merion, a sculptor whose bronze likeness of Harry Kalas welcomes fans to Citizens Bank Park, died Tuesday, July 30, of a heart ailment at his home in Cornish, N.H. Mr. Nowlan was "a supremely gifted artist, capturing the essence of people whom he admired and respected," said Todd Palmer, his friend and college roommate. Mr. Nowlan was a lifelong athlete and sports fan. His passion for Philadelphia's professional teams led to an effort to memorialize Kalas, the longtime Phillies broadcaster.
June 9, 2013 |
ATLANTIC CITY - It appeared to be very bad timing Friday for the World Championship of Sand Sculpting to be taking delivery of 1.2 million pounds of sand just as the remnants of Tropical Storm Andrea dumped torrents of rain at the Jersey Shore. This is the same coastline, after all, where 10 million cubic yards of sand was displaced by Hurricane Sandy in the blink of an eye. But organizers were confident that the 470 cubic yards of sand trucked in from a Tuckahoe quarry would stay put where it was unloaded, along the south side of the Pier Shops at Caesars.
May 29, 2013 |
Standing on Hancock Avenue, Terry Jones easily imagines what happened that hot summer afternoon 150 years ago. The smoke from an artillery bombardment lifts like a curtain, and 12,000 gray-clad soldiers march across an open field as if on parade. Red battle flags with the blue St. Andrew's cross flutter overhead, officers' swords rise skyward, and a forest of musket barrels and bayonets gleams in the sun. The objective: a small clump of trees on Cemetery Ridge, the center of the federal line where a native Philadelphian, Brig.
February 6, 2013 |
When sculptor Darla Jackson found herself creating castings of her life-size rabbit sculptures in her upstairs bathroom - mixing plaster in the tiny sink, dripping soapy residue on her toothbrush, and spilling the mess on the floor - she knew things had to change. Jackson thought there must be other artists out there trying to create in rowhouse bathrooms and basements, praying they didn't ruin yet another rug, or worse, set the house on fire. She dreamed of creating a space where fellow sculptors could use specialized machinery, share inspiration, and work in a safe environment.
January 14, 2013 |
New art often comes with a backstory, which can be useful in helping identify a point of entry into otherwise-enigmatic work. The genesis of Daniel Arsham's sculpture at the Fabric Workshop and Museum is particularly dramatic, to the point where the story implants itself so firmly in the viewer's consciousness that it biases one's evaluation of the artist's efforts. Arsham makes sure this happens by including in his installation, "Reach Ruin," a sculpture incorporating sound, light, and music that re-creates a cataclysmic event and his enduring memory of it. The event was Hurricane Andrew, one of the most powerful and destructive storms in U.S. history, which struck Florida in late August 1992.