December 1, 2015 |
Though the annual day-after-Thanksgiving Philadelphia Orchestra concert can often feel like a drowsy tryptophan performance, popular guest conductor Gianandrea Noseda unleashed a monster of a symphony that, though a century old, had its U.S. premiere Friday and Saturday at the Kimmel Center. Occupying the second half of the program, Alfredo Casella's barely known Symphony No. 2 (1909) isn't nearly as evolved as his Symphony No. 3 , but it makes a mighty sound, employing all manner of brass and percussion plus an organ finale that's meant to bring an audience to its feet, and did so Friday.
September 22, 2015 |
Yet another charming, youthful conductor has arrived on classical music's doorstep. The 31-year-old Bulgarian Stilian Kirov, fresh from the associate conductorship of the Seattle Symphony, has promptly filled the void left by Symphony in C's departing longtime music director, Rossen Milanov. Kirov's debut concert Saturday at the Gordon Theater at Rutgers-Camden raised a lot of questions that will be answered only in future concerts, but one thing was clear: He is maintaining the orchestra's high standard of playing.
January 25, 2015 |
Yannick Nézet-Séguin celebrated his 1,500th concert since his 1994 debut with a Philadelphia Orchestra performance that was beyond what audiences have come to expect from him in his three years as music director. "Beyond" didn't always mean "distinguished," but it did in the dominant work on the Thursday concert, Rachmaninoff's Symphony No. 2 : Though not for those who prefer lean, straightforward Rachmaninoff, the performance's fusion of passion, insight, great playing and Philadelphia sound fused into something that easily deserved the rock-star reception from the Kimmel Center audience, in the second week of the St. Petersburg Festival.
January 14, 2015 |
Having had some of his best successes with Tchaikovsky symphonies, conductor Rossen Milanov gave his Symphony in C ensemble a more complicated challenge on Saturday night: the Manfred Symphony , which stands apart from the composer's numbered works in that medium and, for all its grandeur, has a white-elephant reputation that may or may not be expungeable. Ambitious, imposing, and full of the literary underpinnings of Lord Byron's dramatic poem "Manfred," the symphony isn't first-rate Tchaikovsky, though it can sound like it when played with interventionist conviction.
January 3, 2015 |
They're back! Cirque de la Symphonie returns with the Philadelphia Orchestra, flying high in the Kimmel Center's Verizon Hall on Saturday and Sunday with aerial feats and acrobatics. The troupe will stage its choreographed, gravity-defying stunts above stage and audience, accompanied by the orchestra under Cristian Macelaru. Among the 14 musical numbers to be performed are "Balloon Sequence" and "Devil's Dance" from the movie The Witches of Eastwick, "Ritual Fire Dance" from El amor brujo, and the overture to Candide . Philadelphia Orchestra with Cirque de la Symphonie, 8 p.m. Saturday and 2 p.m. Sunday at Verizon Hall at the Kimmel Center, 300 S. Broad St. Tickets are $60 to $135.
December 15, 2014 |
VINELAND, N.J. - You could call the Bay-Atlantic Symphony the unlikeliest of orchestras. Operating in deep South Jersey - amid some of most economically depressed and rural parts of the state - the symphony has served a range of audiences for three decades, even though it has no performance home base. The orchestra offers an ambitious calendar of 12 symphonic programs annually, performed by a cadre of musicians hired from throughout the Philadelphia, New York, and Baltimore regions on a "per service" basis.
November 16, 2014 |
The fashion world has long popularized clothes that appear to be turned inside out. Why shouldn't the Philadelphia Orchestra do its own version of that every so often? How could that work? Dvorák's Symphony No. 8 was so significantly reimagined by guest conductor Jakub Hruša that you'd think the prevailing, mellifluous tradition of Wolfgang Sawallisch never existed. The music was a rougher ride but full of incident. Orchestral sonorities that are normally string-dominated shared the sound picture more equally with brass and winds.
September 10, 2014 |
Throughout much of Macy's department store in Center City, "20 percent off" signs added to the celebratory air of Symphony in C's concert on Saturday night, scheduled immediately after closing time, in yet another of its mountain-comes-to-Muhammad collaborations with the fabled Wanamaker organ. Known as one of the biggest and grandest working instruments of its kind, the Wanamaker organ is mostly heard as a musical world unto itself in noontime concerts that range from classical to show tunes.
July 14, 2014 |
ATLANTIC CITY - Behind doors so richly red they glow even amid the glittering casino, the Borgata Resort's Music Box theater on Sunday evening will welcome something it wasn't built for: the Bay-Atlantic Symphony playing the Shostakovich Piano Concerto No. 1 with superstar pianist Yuja Wang. There are no obvious explanations. "It's an eclectic age," says Jed Gaylin, the 17-year music director of the Bay-Atlantic Symphony. "Classical music is no longer 'that stuff.' It's a change of pace.
May 7, 2014 |
Symphony in C ended its season Saturday with two works that demand explanation bracketing a work that requires none at all. The Mendelssohn Violin Concerto glowed in the middle of this program like a jewel in a forest of vines and dark leaves. But those outer works insisted on the closest attention, for both Schumann's late Manfred Overture and Arnold Schoenberg's orchestration of Brahms' Piano Quartet in G minor lurk at the edge of the repertoire, posing stylistic questions and interpretive gestures.