May 29, 2010
Music Gil Scott-Heron. He made a triumphant return to recording this year with the wryly titled I'm New Here, a short, sharp postmodern blues album that is the 1970s soul-funk-jazz-R&B- griot-and-rap-godfather's first album in 16 years. The satiric and socially conscious 61-year-old songwriter did not get to put those songs across to Philadelphians in person, however, because his scheduled February appearances at the Tin Angel were scuttled by two-plus feet of snow. He'll be back this weekend to make up the dates.
August 10, 2007 |
Russell Johnson, 83, the acclaimed acoustician who designed sound for the homes of many of the world's great orchestras - including Philadelphia's - died Tuesday in New York City, his firm announced. Mr. Johnson, widely admired for his work on orchestra halls in Dallas; Lucerne, Switzerland; and, perhaps most of all, Birmingham, England, died at his apartment after working Monday at his firm, said Tateo Nakajima, Artec Consultants' managing director. "We were discussing design ideas and planning for the future," Nakajima said, "and as far as we can tell, he went home from work and just didn't wake up. " Mr. Johnson founded his design studio in 1970 in New York but was more often seen listening to concerts in Miami, Singapore, or one of the dozens of other cities in which he designed halls.
October 9, 2015 |
She's had a dazzling career anchoring television news in her hometown Philadelphia market for more than three decades. Now CBS3's Pat Ciarrocchi is hanging up her hat. When Pope Francis departed Philadelphia 11 days ago, Ciarrocchi said it was a "wheels up" moment for her, too. "The Francis visit has empowered me with the strength to forge a path that is certain to use my voice," she wrote on Facebook. Ciarrochi's been to the Vatican several times, including covering the funeral of Pope John Paul II and the resignation of Pope Benedict XVI. But when she learned that Pope Francis was coming to Philadelphia for the World Meeting of Families, "I could barely breathe," she told me. When his plane touched down in Philly, "I got choked up as I waited for that," she said.
November 3, 2015 |
You can be fairly sure that classical music is getting the message across when you see a big gray teddy bear hanging over the side of the first tier in Verizon Hall, waving his paws in the air to tunes from Danny Elfman's The Nightmare Before Christmas . The bear wasn't intended to be part of the show at Saturday morning's first of five Philadelphia Orchestra family concerts this season, but of course the orchestra has a future only to the...
March 8, 2001 |
The cost of hearing the Philadelphia Orchestra will jump next season by an average of 16 percent - the biggest increase since 1987. In addition, the ticket surcharge will double to $2 per ticket. A small number of ticket prices will stay the same or even drop slightly. But most listeners will pay substantially more, depending on seat location, to experience the orchestra live in the future. The increase comes as the orchestra prepares to become a tenant in a new hall that will be both more expensive to operate and will offer fewer seats than the Academy of Music.
September 20, 2002 |
Could it be that the era of taking Wolfgang Sawallisch for granted is coming to an end? Whether or not a groundswell of adoration rises this season, the Sawallisch era itself is now officially in the homestretch. The Philadelphia Orchestra's music director presided over his last opening night Wednesday, acting in his usual music-first, ego-last way, as if nothing were different. But everything is different, and more change is on the way - soon. The orchestra's still-new hall sounded better than it did at the end of last season, the result, perhaps, of a new riser configuration and more layers of sound-reflective polyurethane on the stage of Verizon Hall (four coats, as opposed to two)
March 13, 2004 |
Whatever else you think of Christoph Eschenbach's interpretive leanings, his good ideas about shedding the veneer of pretentiousness that stubbornly clings to orchestras, or his cooperative attitude about fund-raising, it cannot be said that he is developing a close rapport with the musicians of the Philadelphia Orchestra. How could it be turning out differently? This was the music director imposed on, not chosen by, the players. Eschenbach hadn't conducted here in years when he was hired.
February 11, 2005 |
The return of the Philadelphia Orchestra's conductor laureate Wolfgang Sawallisch and two internationally famous violinists tops this week's slate. Sawallisch is back to lead Dvorak's eight buoyant Slavonic Dances, Op. 72, and the Beethoven Violin Concerto, featuring the brilliant Greek-born violinist Leonidas Kavakos. This is an ideal program for these two master musicians (8 tonight, tomorrow and Tuesday, Verizon Hall, Kimmel Center for the Performing Arts, Broad and Spruce streets, $9-$69.
November 23, 2008
It's welcome news that Kimmel Center for the Performing Arts officials are rehearsing ideas to enliven the center's expansive but uninviting lobby. And they want to remedy sound problems in Verizon Hall, home of the Philadelphia Orchestra. In so many ways, the Kimmel Center has lived up to its enormous promise. But it has still fallen short of its advanced billing. The center hasn't become the 18-hour-a-day gathering place that boosters of the city's Avenue of the Arts cultural district predicted.
April 4, 2009 |
Andr? Previn represents so many different things to his various admirers that it would have been impossible to sort out exactly what moved the audience to its feet at the end of Thursday night's Philadelphia Orchestra concert in Verizon Hall. One would hope it was the warmth and structure he gave to Strauss' Symphonia domestica rather than merely being an accumulated eruption of love for a man who has impressed mightily as jazz pianist, conductor, film composer, and collector of glamorous wives.